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More than 50 years ago Dorothy and Marion Brewington began their search to identify the world's marine artists. In convenient dictionary form, the results of this monumental task have been published jointly by the Peabody Museum of Salem, Massachusetts, and Mystic Seaport Museum. Alphabetical entries offer information on the careers of 3,074 American, European, Chinese, and Japanese artists. The emphasis is upon the obscure semi-professional pierhead painters of the eighteenth and nineteenth centuries not found in standard references. Living artists are not included. This is an essential reference for art scholars, collectors, and libraries.
This dictionary is the most comprehensive work of reference on the ship portraitists and marine artists who worked in Liverpool between the late eighteenth century and the present day. It includes 65 known portraitists and marine artists and an appendix of over a dozen other locally-based painters who produced an occasional marine work and about half a dozen possible marine artists who may have worked, visited or have been temporarily resident in the port. It is organised alphabetically by surname. Each entry includes a full biography of the artist; a summary of their main subjects, style and range of work; details of the main UK and US museums holding their paintings; and the principal published sources. The dictionary includes 70 illustrations which are typical examples of the work of each of the main artists. These included: Samuel and Miles Walters, Joseph Heard, Robert Salmon, Francis Hustwick, William Jackson, John Jenkinson, Sam Brown, Odin Rosenvinge, Thomas Dove, William G Yorke and William H Yorke.
The third edition of The Dictionary of Sea Painters further enhances its stature as the pre-eminent reference guide in its field. Marine painting, as befits the historical importance of its subject, has a rich and varied heritage. The range stretches from the heroics of great artists such as Turner to the humble yet finely detailed harbour paintings intended for master mariners. The range of work between these two extremes is widely collected and admired, and the dictionary satisfies an ever-growing demand for authoritative information from collectors, dealers and auction houses. Other sections of the book offer a wealth of further information. There are detailed drawings of the stems and sterns of important ships, and maritime flags are illustrated in colour - an asset for the purposes of dating and identification.
Long awaited revised editions of the standard works on the subject of British watercolour artists. Unlike previous editions these volumes have the plates incorporated into the text.
The old witch finds her privacy disturbed when a snoring bear hibernates in her cave.