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An essential addition to the library of anyone concerned with contemporary printmaking.
Additional keywords : Indians, Aboriginal peoples, Native peoples, First Nations.
This book examines the role of the visual and performing arts in higher education and argues for the importance of socially engaged transdisciplinary practices, not just to the college curriculum but also to building an informed and engaged citizenry. The first chapter defines and offers an outline for conducting transdisciplinary research. Chapters two through five present examples of transdisciplinary projects facilitated in Central Florida between 2017 and 2022. Topics and methodological frameworks include ecocriticism and climate change, migration, poverty, and displacement, ageing and disability, and systemic racism and mass incarceration. Each chapter includes descriptions of the proje...
Garo Z. Antreasian (b. 1922) belongs to the great generation of innovators in mid-twentieth-century American art. While influenced by a variety of European artists in his early years, it was his involvement with Tamarind Lithography Workshop starting in 1960 that transformed his work. As Tamarind’s founding technical director, he revolutionized the medium of lithography. He discovered how to manipulate the spontaneous possibilities of lithography in the manner of the Abstract Expressionist painters. In addition to reflecting on his work, he writes movingly about his Armenian heritage and its importance in his art, his teaching, and his love affair with all sorts of artistic media. Illustrating his drawings, paintings, and prints, this book reveals Antreasian as a major American artist. This book was made possible in part by generous contributions from the Frederick Hammersley Foundation and Gerald Peters Gallery.
The definitive history of a cherished East Los Angeles institution over five decades of art making and community building. Self Help Graphics at Fifty celebrates the ongoing legacy of an institution that has had profound aesthetic, economic, and political impact on the formation of Chicanx and Latinx art in the United States. Officially launched in 1973 during the Chicano Movement, Self Help Graphics & Art continues to serve on the cultural front. The institution’s commitment to art, dignity for all, and empowerment of Chicanx and Latinx artists appears in every aspect of programming, including the Día de los Muertos festival; the Barrio Mobile Art Studio, which brings art education to underserved schools; and the printmaking program, which offers an accessible medium infused with activist aims. Looking at the multiple genealogies of art that intersect in East Los Angeles, Self Help Graphics at Fifty bears witness to the organization’s influential role in US and global art histories.
In As We See It, Suzanne Newman Fricke invites readers to explore the work and careers of ten contemporary Native American photographers: Jamison Banks, Anna Hoover, Tom Jones, Larry McNeil, Shelley Niro, Wendy Red Star, Beverly Singer, Matika Wilber, William Wilson, and Tiffiney Yazzie. Inspired by As We See It, an exhibition of these artists’ work cocurated by Fricke in 2015, the book showcases the extraordinary achievements of these groundbreaking photographers. As We See It presents dialogues in which the artists share their unique perspectives about the history and current state of photography. Each chapter includes an overview of the photographer’s career as well as examples of the...
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
This book is the result of years of research into one family, tracing back the male and female lines, the mothers as well as the fathers. The work was started by Thorold Penn, my father, and carried on by myself for nearly twenty years. You may find an interest in specific people, maybe to help your own research. It will also be relevant if you have an interest in a specific place (see list below), as a piece of social history, a slice through time. None of the people are particularly important, they occupy the middle class in every generation. The book may also be of interest if you are considering research into your own family history; you could create this kind of thing for your own ancestors, or hire a professional to do the same. In some ways, I have been lucky in my choice of ancestors - publicans are one of the few professions recorded in official documents as far back as the seventeenth century, and I have a lot of innkeepers in my tree.
This beautifully illustrated catalogue accompanies the first major museum retrospective of the painter Norman Lewis (1909Ð1979). Lewis was the sole African American artist of his generation who became committed to issues of abstraction at the start of his career and continued to explore them over its entire trajectory. His art derived inspiration from music (jazz and classical) and nature (seasonal change, plant forms, the sea). Also central to his work were the dramatic confrontations of the civil rights movement, in which he was an active participant among the New York art scene. Bridging the Harlem Renaissance, Abstract Expressionism, and beyond, Lewis is a crucial figure in American abs...
The Mystery of Witchcraft is a meticulously assembled collection of books on witchery, witch trials, demonology and spiritualism. The book is formatted for your eReader with a functional and detailed table of contents: Introduction: The Superstitions of Witchcraft The Devil in Britain and America Witchcraft in Europe: History of Magic and Witchcraft: Magic and Witchcraft Lives of the Necromancers Witch, Warlock, and Magician Irish Witchcraft and Demonology Practitioners of Magic & Witchcraft and Clairvoyance Mary Schweidler, the Amber Witch Sidonia, the Sorceress La Sorcière: The Witch of the Middle Ages Tales & Legends: Witchcraft & Second Sight in the Highlands & Islands of Scotland Witch...