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This book argues that Scottish theatre has, since the late 1960s, undergone an artistic renaissance, driven by European Modernist aesthetics. Combining detailed research and analysis with exclusive interviews with ten leading figures in modern Scottish drama, the book sets out the case for the last half-century as the strongest period in the history of the Scottish stage. Mark Brown traces the development of Scottish theatre’s Modernist revolution from the arrival of influential theatre director Giles Havergal at the Citizens Theatre, Glasgow in 1969 through to the advent of the National Theatre of Scotland in 2006. Finally, the book contemplates the future of Scotland’s theatrical renaissance. It is essential reading for anyone interested in contemporary theatre and/or the modern history of live drama in Scotland.
This book is a literary-historical enquiry into the relationship between John and Mark, with special emphasis on the feeding saga in each. Because of the differences between these key canonised texts the question of how their differences are to be understood is important in regard to our understanding of Biblical authority and interpretation, and in particular of the meaning and importance of the Eucharist.The research finds that the writers of John's Gospel knew Mark and that John shows a certain degree of influence from it, both positive and negative.Ian D. Mackay surveys the debate to date, looks at general literary and strategic similarities and differences between John and Mark, and the...
In Prince and Purple Rain, acclaimed Prince authority Andrea Swensson takes a deep dive into the late artist’s most iconic album with a beautiful, slipcased gift book.
主编还有:谢福之、鞠鸿达、李志岭、葛岚