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Damage - Poems 1988-2022
DAMAGE collects over three decades of Mark Scroggins's poetry: from the jittery, post-punk influenced work of Anarchy, to the vitriolic time-and-space travelogues of RED ARCADIA, to the brutal, pointillistic thrash-jazz miniatures of TORTURE GARDEN: NAKED CITY PASTORELLES, to the more expansive yet still sardonic poems of Pressure Dressing. These titles are supplemented by a selection of both early and more recent work, all of it marked by Scroggins's characteristic wit, thoughtfulness, formal innovation, and wistful lyric intelligence. Poetry.
Red Arcadia
Poetry. The poems of RED ARCADIA present a jittery, spasmodic--often obscured--series of moving x-ray images of contemporary culture in its frenetic contradictions, its self-destructiveness, and sometimes in its moments of fractured sublimity; a wobbly digicam portrait of the bewildered, mournful, and sometimes bemused subject caught in the rush of sounds and images, scrabbling through the levels of the city's palimpset/midden, checking his watch for the arrival of some heroic Captain Modernism. "These sharp-eyed, sharp-tongued poems register damage, reading commodities or movies for us, out there in shopping malls or imaginary museums. They resolutely think through the world, half-scratched...
Hannibal
This book describes the life of Abraham Lincoln's first vice-president, Hannibal Hamlin. The author describes Hamlin's ancestors and boyhood before tracing his career through the Maine legislature, U.S. House of Representatives, and his course as one of the most powerful senators in the country during the 1850s. Hamlin is most widely known for being the first vice-president to Abraham Lincoln, yet, ironically this position was his most powerless in his sixty years of public service.
Michael Moorcock
Prolific, popular and critically acclaimed, Michael Moorcock is the most important British fantasy author of his generation. His Elric of Melnibone is an iconic figure for millions of fans but Moorcock has also been a pioneer in science fiction and historical fiction. He was hailed as the central figure of the "New Wave" in science fiction, and has won numerous awards for his fantasy and SF, as well as his "mainstream" writing. This first full-length critical look at Moorcock's career, from the early 1960s to the present, explores the author's fictional multiverse: his fantasy tales of the "Eternal Champion"; his experimental Jerry Cornelius novels; the hilarious science-fiction satire of his "End of Time" books; and his complex meditations on 20th century history in Mother London and the Colonel Pyat tetralogy.
Louis Zukofsky and the Poetry of Knowledge
Using a chronological and synchronic approach, poet and editor Scroggins presents an advanced introduction to the poet's thought and writing, first through a brief sketch of the poet's life and works, and then with an in-depth treatment of his entire body of poetic and critical writing. In exploring Zokofsky's poetics, conception of poetic language, and his notion of the relationship between language and knowledge, the author argues that Zukofsky's importance in 20th-century American poetry is equal to that of Pound, Eliot, and Stevens. Annotation copyrighted by Book News, Inc., Portland, OR
Robert Toombs
Robert Toombs of Georgia stands as one of the most fiery and influential politicians of the nineteenth century. Sarcastic, charming, egotistical, and gracious, he rose quickly from state office to congressman to senator in the decades before the Civil War. Though he sought sectional reconciliation throughout the 1840s and 1850s, he eventually became one of the South's most ardent secessionists. This thorough biography chronicles his days as a student and young lawyer in Georgia, his boisterous political career, his appointment as the Confederacy's first Secretary of State, his unsuccessful stint as a Confederate general, and his role as a proud, unreconstructed rebel after the war. An exploration of Toombs' career reveals the political forces and missteps that drove him--and people like him--to want to secede from the United States.
The Poem of A Life
The Poem of a Life is the first critical biography of Louis Zukofsky, a fascinating and crucially important American modernist poet. It details the curve of his career, from the early Waste Land-parody ''Poem beginning 'The''' (1926) to the dense and tantalizing beauties of his last poems, 80 Flowers(1978), paying special attention to the monumental, complex, and formally various epic poem ''A'', on which Zukofsky labored for almost fifty years, and which he called ''a poem of a life.'' Zukofsky was a protege of Ezra Pound's, an artistic collaborator and close friend of William Carlos Williams's, and the leader of a whole school of 1930s avant-garde poets, the Objectivists. Later in life he was close friends with such younger writers as Robert Creeley, Paul Metcalf, Robert Duncan, Jonathan Williams, and Guy Davenport. His work spans the divide from modernism to postmodernism, and his later writings have proved an inspiration to whole new generations of innovative poets. Zukofsky's poetry is oblique, condensed, and as fantastically detailed as the late writings of James Joyce, yet it bears at every point the marks of the poet's life and times.
A History of Modernist Poetry
A History of Modernist Poetry examines innovative anglophone poetries from decadence to the post-war period. The first of its three parts considers formal and contextual issues, including myth, politics, gender, and race, while the second and third parts discuss a wide range of individual poets, including Ezra Pound, T.S. Eliot, W.B. Yeats, Mina Loy, Gertrude Stein, Wallace Stevens, William Carlos Williams, and Marianne Moore, as well as key movements such as Imagism, Objectivism, and the Harlem Renaissance. This book also addresses the impact of both World Wars on experimental poetries and the crucial role of magazines in disseminating and proselytizing on behalf of poetic modernism. The collection concludes with a wide-ranging discussion of the inheritance of modernism in recent writing on both sides of the Atlantic.
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Torture Garden
Poetry. Taking formal and methodological inspiration from the speedcore, thrash-jazz "miniatures" of John Zorn's Naked City, the poems of TORTURE GARDEN: NAKED CITY PASTORELLES are dense, impacted crystals of reference and insinuation: Hegel to Hüsker Dü; Milton to Moorcock; a high-style restaurant on Edinburgh's Royal Mile to the Meadowlands; Ruskin to webcam S&M. These concentrated bursts of cynicism, rancor, and frustrated lyricism are not minima moralia for an electronic age, but literate squawks thrown at the screen of contemporaneity's faceless spectacle.
