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Not One of Them in Place
Not One of Them in Place is the first book to examine the ways in which Jewish belief, thought, and culture have been shaped and articulated in modern American poetry. Based on the idea that recent American poetry has gravitated between two traditions—romantic and symbolist on the one hand, modernist and objectivist on the other—Norman Finkelstein provides a theoretical framework for reading the Jewish-American canon, as well as close readings of well known and less established poets, including Allen Ginsberg, Charles Reznikoff, Louis Zukofsky, Harvey Shapiro, Armand Schwerner, Hugh Seidman, and Michael Heller. Not One of Them in Place presents this poetry in a clear and nuanced style, paying equal attention to its historical and its aesthetic dimensions.
The Ritual of New Creation
Finkelstein examines a wide range of recent Jewish writing, including poetry, fiction, and literary criticism, in order to determine the changes such writing has undergone in its exposure to modern and postmodern conditions of culture. Featuring discussions of such figures as Gershom Scholem, Harold Bloom, George Steiner, Cynthia Ozick, and John Hollander, The Ritual of New Creation explores certain themes that recur in modern Jewish literature: the relation of the sacred to the secular in Jewish writing; the role of loss and exile; "wandering meaning" and textual transformation. This is a book for all readers interested in modern Jewish literature, but especially for readers concerned with literary theory, the relations of text and commentary, and the fate of literary traditions in the contemporary and postmodern cultural milieu.
Roth after Eighty
Philip Roth scholars continue to reflect on what Philip Roth’s retirement in 2012 means for the landscape of American literature and what his professed disappearance from the public eye in 2014 would mean for the future consideration of his legacy. This collection seeks to answer those questions in a scholarly way. Composed of eleven original essays written by accomplished scholars in the field of Philip Roth Studies, the collection is both relevant and engaging on three levels: it is the first of its kind to offer a scholarly retrospective of Roth’s works and career; it considers Roth within the American literary imagination; and it speculates on Roth’s legacy—particularly the enduring quality of his novels that will continue to resonate long after his retirement.
The Translatability of Cultures
These essays—which consider a wide variety of cultures from ancient Egypt to contemporary Japan— describe the conditions under which cultures that do not dominate each other may yet achieve a limited translatability of cultures.
Not Bad for Delancey Street
He was amazing. "A little man with a Napoleonic penchant for the colossal and magnificent, Billy Rose is the country's No. 1 purveyor of mass entertainment," Life magazine announced in 1936. The Times reported that with 1,400 people on his payroll, Rose ran a larger organization than any other producer in America. "He's clever, clever, clever," said Rose's first wife, the legendary Fanny Brice. "He's a smart little goose." Not Bad for Delancey Street: The Rise of Billy Rose is the first biography in fifty years of the producer, World's Fair impresario, songwriter, nightclub and theater owner, syndicated columnist, art collector, tough guy, and philanthropist, and the first to tell the whole ...
Transferring to America
This book primarily concerns the work of three prominent literary scholars, Harold Bloom, Stanley Cavell, and Sacvan Bercovitch, treating them as second-generation immigrant Jewish Americans. With at least two meanings of "transferring" in mind, the title alludes both to the historical, socio-cultural actualities of immigrancy, and to the psychoanalytic model used to describe the relations between these readers and the American texts they interpret. The central claim is that the theories and critical practices of Bercovitch, Bloom, and Cavell can be considered as the tools and tactics of an ambivalent, not yet fully realized desire for integration into America. Their cultural identity as members of the Jewish minority in America can thus still be seen to operate as a compelling source of anxiety and motivation.
Conversations with David Foster Wallace
Conversations with the author of A Supposedly Fun Thing I'll Never Do Again, Brief Interviews with Hideous Men, and Infinite Jest
Legacies of the Sublime
Legacies of the Sublime offers a highly original, subtle and persuasive account of the aesthetics of the sublime in late nineteenth- and early twentieth-century literature, philosophy, and science. Christopher Kitson reveals the neglected history of how Kant's theory of the sublime in the Critique of Judgment cast a shadow over the next century and more of literature and thought. In each chapter, close readings weave together literary works with philosophical and scientific ones in order to clarify the complex dialogues between them. Through these readings, Kitson shows how the sublime survived well after the heyday of romanticism as a way of representing human freedom. This new context prod...
Daughters of Valor
The essays in this book focus on a wide and representative variety of Jewish American women writers, including Cynthia Ozick, Anne Roiphe, Erica Jong, Pauline Kael, Allegra Goodman, Norma Rosen, Adrienne Rich, Lynn Sharon Schwartz, and others. In every instance the contributors have tried to deal not only with the Jewish content of their work but also with its literary quality and other major themes.
Jewish Wry
When the Jews of Eastern Europe came to the United States in the 19th century, they brought with them their own special humor. Developed in response to the dissonant reality of their lives, their self-critical humor served as a source of salvation, enabling them to endure a painful history with a sense of power. In America, the marginal status of immigrant Jews prompted them to use humor a a defense, exaggerating or mocking their ethnicity as events dictated. Jewish Wry examines the development of Jewish humor in a series of essays on topics that range from Sholom Aleichem's humor to Jewish comediennes through to the humor of Philip Roth. This important book offers enjoyable reading as well as a significant and scholarly contribution to the field.
