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The North American Journals of Prince Maximilian of Wied
Few historical chronicles are as informative and eloquent as the journal written by Prince Maximilian of Wied as a record of his journey into the North American interior in 1833, following the route Lewis and Clark had taken almost thirty years earlier. Maximilian's memorable descriptions of topography, Native peoples, and natural history were further brought to life through the now-familiar watercolors and sketches of Karl Bodmer, the young Swiss artist who accompanied him.Volume One of the North American Journals recounts the prince's journey from Europe to St. Louis--then the edge of the frontier.
The North American Journals of Prince Maximilian of Wied
Few historical chronicles are as informative and eloquent as the journal written by Prince Maximilian of Wied as a record of his journey into the North American interior in 1833, following the route Lewis and Clark had taken almost thirty years earlier. Maximilian's memorable descriptions of topography, Native peoples, and natural history were further brought to life through the now-familiar watercolors and sketches of Karl Bodmer, the young Swiss artist who accompanied him. The first of the three volumes of the North American Journals recounts the prince's journey from Europe to St. Louis—then the edge of the frontier. Volume II vividly narrates his experiences on the upper Missouri and o...
The North American Journals of Prince Maximilian of Wied
Made famous through the paintings of Swiss artist Karl Bodmer, the North American expedition of German naturalist Prince Maximilian of Wied in 1832–34 was the first scientific exploration of the Missouri River’s upper reaches since the epic journey of Lewis and Clark almost thirty years earlier. Maximilian’s journal has never been presented fully in English—until now. This collector’s-quality, oversized volume, the first of a three-volume set, draws on the Maximilian-Bodmer Collection at Joslyn Art Museum in Omaha, Nebraska. The North American Journals offer an incomparable view of the upper Missouri and its Native peoples at a pivotal moment in the history of the American West. Th...
Indigenous War Painting of the Plains
In the nineteenth and early twentieth centuries, the Indigenous peoples of the Great Plains practiced an archival art—narrating war exploits in large-scale paintings executed on animal hide robes, shirts, tipi covers, and tipi liners. Essentially autobiographical, the paintings were worn and lived in by the men whose war exploits they portrayed, and were made to be “read” by the public at large. Executed in a pictorial narrative style and documenting actual events, these paintings blend visual art and history. Indigenous War Painting of the Plains is the first comprehensive look at this important North American art form, covering the full corpus of war paintings from fourteen tribes ac...
Mastering Iron
Veins of iron run deep in the history of America. Iron making began almost as soon as European settlement, with the establishment of the first ironworks in colonial Massachusetts. Yet it was Great Britain that became the Atlantic world’s dominant low-cost, high-volume producer of iron, a position it retained throughout the nineteenth century. It was not until after the Civil War that American iron producers began to match the scale and efficiency of the British iron industry. In Mastering Iron, Anne Kelly Knowles argues that the prolonged development of the US iron industry was largely due to geographical problems the British did not face. Pairing exhaustive manuscript research with analys...
The North American Journals of Prince Maximilian of Wied
Few historical chronicles are as informative and eloquent as the journals written by Prince Maximilian of Wied as a record of his journey into the North American interior in 1833–34, following the route Lewis and Clark had taken almost thirty years earlier. In this third, and final, volume, Maximilian vividly narrates his extended stay at Fort Clark (near today’s Bismarck, North Dakota) and his return journey eastward across America and on to his home in Germany. This handsome, oversize volume not only reproduces the prince’s historic document but also features every one of his illustrations—nearly 100 in all, including several in color—from the original journal, along with other watercolors, now housed at Joslyn Art Museum in Omaha, Nebraska. This book is published with the assistance of the National Historical Publications and Records Commission.
A Conquering Spirit
The August 30, 1813, massacre at Fort Mims left hundreds dead and ultimately changed the course of American history. The Indian victory shocked and horrified a young America, ushering in a period of violence surrounded by racial and social confusion. Fort Mims became a rallying cry, calling Americans to fight their assailants and avenge the dead. In A Conquering Spirit, Waselkov thoroughly explicates the social climes surrounding this tumultuous moment in early American history with a comprehensive collection of illustrations, artifact photographs, and detailed accounts of every known participant in the attack on Fort Mims. These rich and extensive resources make A Conquering Spirit an invaluable collection for any reader interested in America's frontier era. * Winner of the Adult Nonfiction Book of the Year award by the Alabama Library Association* Winner of the Clinton Jackson Coley award from the Alabama Historical Association
Fort Union and the Upper Missouri Fur Trade
In this book, Barton Barbour presents the first comprehensive history of Fort Union, the nineteenth century's most important and longest-lived Upper Missouri River fur trading post. Barbour explores the economic, social, legal, cultural, and political significance of the fort which was the brainchild of Kenneth McKenzie and Pierre Chouteau, Jr., and a part of John Jacob Astor's fur trade empire. From 1830 to 1867, Fort Union symbolized the power of New York and St. Louis, and later, St. Paul merchants' capital in the West. The most lucrative post on the northern plains, Fort Union affected national relations with a number of native tribes, such as the Assiniboine, Cree, Crow, Sioux, and Blac...
