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In a speech from which Nation of Cowards derives its title, Attorney General Eric Holder argued forcefully that Americans today need to talk more—not less—about racism. This appeal for candid talk about race exposes the paradox of Barack Obama's historic rise to the US presidency and the ever-increasing social and economic instability of African American communities. David H. Ikard and Martell Lee Teasley maintain that such a conversation can take place only with passionate and organized pressure from black Americans, and that neither Obama nor any political figure is likely to be in the forefront of addressing issues of racial inequality and injustice. The authors caution blacks not to slip into an accommodating and self-defeating "post-racial" political posture, settling for the symbolic capital of a black president instead of demanding structural change. They urge the black community to challenge the social terms on which it copes with oppression, including acts of self-imposed victimization.
What effect has the black literary imagination attempted to have on, in Toni Morrison's words, "a race of readers that understands itself to be 'universal' or race-free"? How has black literature challenged the notion that reading is a race-neutral act? Race and the Literary Encounter takes as its focus several modern and contemporary African American narratives that not only narrate scenes of reading but also attempt to intervene in them. The texts interrupt, manage, and manipulate, employing thematic, formal, and performative strategies in order to multiply meanings for multiple readers, teach new ways of reading, and enable the emergence of antiracist reading subjects. Analyzing works by James Weldon Johnson, Zora Neale Hurston, Ralph Ellison, Jamaica Kincaid, Percival Everett, Sapphire, and Toni Morrison, Lesley Larkin covers a century of African American literature in search of the concepts and strategies that black writers have developed in order to address and theorize a diverse audience, and outlines the special contributions modern and contemporary African American literature makes to the fields of reader ethics and antiracist literary pedagogy.
An argument for intense and organized activism from the African American community to generate discussion on race in the United States. In a speech from which Nation of Cowards derives its title, Attorney General Eric Holder argued forcefully that Americans today need to talk more—not less—about racism. This appeal for candid talk about race exposes the paradox of Barack Obama’s historic rise to the US presidency and the ever-increasing social and economic instability of African American communities. David H. Ikard and Martell Lee Teasley maintain that such a conversation can take place only with passionate and organized pressure from Black Americans, and that neither Obama nor any pol...
The Cambridge Companion to American Civil Rights Literature brings together leading scholars to examine the significant traditions, genres, and themes of civil rights literature. While civil rights scholarship has typically focused on documentary rather than creative writing, and political rather than cultural history, this Companion addresses the gap and provides university students with a vast introduction to an impressive range of authors, including Richard Wright, Lorraine Hansberry, Gwendolyn Brooks, James Baldwin, Amiri Baraka, and Toni Morrison. Accessible to undergraduates and academics alike, this Companion surveys the critical landscape of a rapidly growing field and lays the foundation for future studies.
Jugendliche of Color sind auch in Deutschland von Racial Profiling und Polizeigewalt betroffen. Welche Erfahrungen machen sie mit diesen Praktiken? Wie erlangen sie ihre Handlungsfähigkeit zurück? Und welche Maßnahmen können sie ergreifen, um die Verhältnisse zu verbessern? Markus Textor bietet Antworten auf diese Fragen, indem er Licht auf ein national wie international schwach erforschtes Feld wirft. Durch qualitative Analysen zeigt er empirisch auf, dass Racial Profiling als rassistische Diskriminierungspraxis zu begreifen ist - und stößt so nicht nur theoretische Debatten in den Erziehungs-, Sozial- und Politikwissenschaften an, sondern macht diese auch für die sozialarbeiterische Praxis zugänglich.
Drawing from theatre, English studies, and art history, among others, these essays discuss the challenges and rewards of teaching medieval and early modern texts in the 21st-century university. Topics range from the intersections of race, religion, gender, and nation in cross-cultural encounters to the use of popular culture as pedagogical tools.
The election of Barack Obama gave political currency to the (white) idea that Americans now live in a post-racial society. But the persistence of racial profiling, economic inequality between blacks and whites, disproportionate numbers of black prisoners, and disparities in health and access to healthcare suggest there is more to the story. David H. Ikard addresses these issues in an effort to give voice to the challenges faced by most African Americans and to make legible the shifting discourse of white supremacist ideology—including post-racialism and colorblind politics—that frustrates black self-determination, agency, and empowerment in the 21st century. Ikard tackles these concerns from various perspectives, chief among them black feminism. He argues that all oppressions (of race, gender, class, sexual orientation) intersect and must be confronted to upset the status quo.
Cet ouvrage présente 21 dossiers concernant l’actualité récente des pays anglophones : Chaque dossier présente un problème, suivi d’un essai introductif, de notes explicatives, d’extraits de presse, de données factuelles, d’une chronologie, de vocabulaire.Une partie « Pratique de la langue » entraîne le lecteur aux examens et concours.
This prize-winning study examines the historical interplay of racial identity, nationality, and family formation in Cuba from the 18th century to today. Since the 19th century, there have been two opposing perspectives on Cuban racial identity: one that frames Cubans as white, and one that sees them as racially mixed based on acceptance of African descent. For the past two centuries, these competing views of have remained in continuous tension, while Cuban women and men make their own racially oriented decisions about choosing partners and family formation. Cuba’s Racial Crucible explores the historical dynamics of Cuban race relations by highlighting the role race has played in reproducti...
The interdisciplinary quality of the anthology makes it approachable to students and scholars of fields ranging from film to culture to African American studies alike.