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Surveying the spectrum of photography from the mid-nineteenth century to the present, Photography: A Critical Introductionis the first book to examine key debates in photographic theory and place them in their proper social and political contexts. While most histories of photography invariably focus on the works of the "great photographers," this book is written especially to provide a coherent introduction to the nature of photographic seeing and its personal and cultural significance through history. Contributors lucidly examine a range of major photographic theories, histories, genres and issues, covering such topics as key debates in photographic theory and history; documentary photograp...
This book is the family history of the children of Martin Gasser and Katarina Erker born in Wolfurt, Austria.
Recent decades have seen a flourishing interest in and speculation about the origins of photography. Spurred by rediscoveries of ‘first’ photographs and proclamations of photography’s death in the digital age, scholars have been rethinking who and what invented the medium. Photography and Its Origins reflects on this interest in photography’s beginnings by reframing it in critical and specifically historiographical terms. How and why do we write about the origins of the medium? Whom or what do we rely on to construct those narratives? What’s at stake in choosing to tell stories of photography’s genesis in one way or another? And what kind of work can those stories do? Edited by Tanya Sheehan and Andrés Mario Zervigón, this collection of 16 original essays, illustrated with 32 colour images, showcases prominent and emerging voices in the field of photography studies. Their research cuts across disciplines and methodologies, shedding new light on old questions about histories and their writing. Photography and Its Origins will serve as a valuable resource for students and scholars in art history, visual and media studies, and the history of science and technology.
This book is dedicated to my guardians George and Martha Covington and my parents Shirley and Johnny Williams.
This is the first of two volumes that provide, for the first time in print, an index to the 108,898 names in the registers of San Francisco probate actions from 1906 to 1942. The first volume covers surnames beginning with A-K, and the second volume contains surnames starting with L-Z. Information was extracted from 179 registers of probate actions, each containing 500 pages. Included are names, aliases and minors' names representing over 85,500 probates and guardianship proceedings.
In an 1828 letter to his partner, Nicéphore Niépce, Louis Daguerre wrote, "I am burning with desire to see your experiments from nature." In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography. Recent accounts of photography's identity tend to divide between the postmodern view that all identity is determined by context and a formalist effort to define the fundamental characteristics of photography as a medium. Batchen critiques both approaches by way of a detailed discussion of photography's conception in the late eighteenth and early nineteenth centuries. He examines the output of the various nominees for "first photographer," then incorporates this information into a mode of historical criticism informed by the work of Michel Foucault and Jacques Derrida. The result is a way of thinking about photography that persuasively accords with the medium's undeniable conceptual, political, and historical complexity.
Introduction to Audio Analysis serves as a standalone introduction to audio analysis, providing theoretical background to many state-of-the-art techniques. It covers the essential theory necessary to develop audio engineering applications, but also uses programming techniques, notably MATLAB®, to take a more applied approach to the topic. Basic theory and reproducible experiments are combined to demonstrate theoretical concepts from a practical point of view and provide a solid foundation in the field of audio analysis. Audio feature extraction, audio classification, audio segmentation, and music information retrieval are all addressed in detail, along with material on basic audio processin...
This book addresses one of the least studied yet most pervasive aspects of modern life--the techniques and mechanisms by which official agencies certify individual identity. From passports and identity cards to labor registration and alien documentation, from fingerprinting to much-debated contemporary issues such as DNA-typing, body surveillance, and the catastrophic results of colonial-era identity documentation in postcolonial Rwanda, Documenting Individual Identity offers the most comprehensive historical overview of this fascinating topic ever published. The nineteen essays in this volume represent the collaborative effort of historians, sociologists, historians of science, political sc...
The American daguerreotype as something completely new: a mechanical invention that produced an image, a hybrid of fine art and science and technology. The daguerreotype, invented in France, came to America in 1839. By 1851, this early photographic method had been improved by American daguerreotypists to such a degree that it was often referred to as “the American process.” The daguerreotype—now perhaps mostly associated with stiffly posed portraits of serious-visaged nineteenth-century personages—was an extremely detailed photographic image, produced though a complicated process involving a copper plate, light-sensitive chemicals, and mercury fumes. It was, as Sarah Kate Gillespie s...
Scrutinizes the procedures and protocols that establish "authority" and "objectivity"