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The Le Corbusier Galaxy
Drawing on the author's discovery of an unknown, long-forgotten collection of photographs in an Indian ashram, this book offers an exciting, new view of the international community of young architects who served as Le Corbusier's assistants in the inter-war years. A collection of some 500 snapshots, assembled by the Czech architect Frantisek Sammer between 1931 and 1939, had been stored unnoticed for more than 70 years in an unlikely location - the Sri Aurobindo Ashram in Pondicherry, India. Sammer was one of Le Corbusier's closest assistants from the early 1930s. Later, Sammer worked in the Soviet Union, Japan and India. During, and after, his time in Paris, he personally took or collected ...
The Le Corbusier Galaxy
"Drawing on the author's discovery of an unknown, long-forgotten collection of photographs in an Indian ashram, this book offers an exciting, new view of the international community of young architects who served as Le Corbusier's assistants in the inter-war years. A collection of some 500 snapshots, assembled by the Czech architect František Sammer between 1931 and 1939, had been stored unnoticed for more than 70 years in an unlikely location - the Sri Aurobindo Ashram in Pondicherry, India. Sammer was one of Le Corbusier's closest assistants from the early 1930s. Later, Sammer worked in the Soviet Union, Japan and India. During, and after, his time in Paris, he personally took or collecte...
Julien-David Leroy and the Making of Architectural History
This book examines the career and publications of the French architect Julien-David Leroy (1724–1803) and his impact on architectural theory and pedagogy. Despite not leaving any built work, Leroy is a major international figure of eighteenth-century architectural theory and culture. Considering the place that Leroy occupied in various intellectual circles of the Enlightenment and Revolutionary period, this book examines the sources for his ideas about architectural history and theory and defines his impact on subsequent architectural thought. This book will be of key interest to graduate students and scholars of Enlightenment-era architectural history.
Blahovest
None
Musical America
Includes "Directory: Foreign."
Poezye
None
Concrete and Culture
Concrete has been used in arches, vaults, and domes dating as far back as the Roman Empire. Today, it is everywhere—in our roads, bridges, sidewalks, walls, and architecture. For each person on the planet, nearly three tons of concrete are produced every year. Used almost universally in modern construction, concrete has become a polarizing material that provokes intense loathing in some and fervent passion in others. Focusing on concrete’s effects on culture rather than its technical properties, Concrete and Culture examines the ways concrete has changed our understanding of nature, of time, and even of material. Adrian Forty concentrates not only on architects’ responses to concrete, but also takes into account the role concrete has played in politics, literature, cinema, labor-relations, and arguments about sustainability. Covering Europe, North and South America, and the Far East, Forty examines the degree that concrete has been responsible for modernist uniformity and the debates engendered by it. The first book to reflect on the global consequences of concrete, Concrete and Culture offers a new way to look at our environment over the past century.
Manufacturing a Socialist Modernity
Eastern European prefabricated housing blocks are often vilified as the visible manifestations of everything that was wrong with state socialism. For many inside and outside the region, the uniformity of these buildings became symbols of the dullness and drudgery of everyday life. Manufacturing a Socialist Modernity complicates this common perception. Analyzing the cultural, intellectual, and professional debates surrounding the construction of mass housing in early postwar Czechoslovakia, Zarecor shows that these housing blocks served an essential function in the planned economy and reflected an interwar aesthetic, derived from constructivism and functionalism, that carried forward into the...
The Looshaus
A celebration of the centennial of Vienna's Looshaus--one of modernism's earliest and most controversial buildings When it was completed in 1911, the Goldman & Salatsch Building in Vienna, commonly known as the Looshaus, incited controversy for its austerity and plainness. It represented a stark rejection of the contemporary preference for ornamentation, though its architect, Adolf Loos (1870-1933), had intended it to preserve Viennese tradition within a new modernist language. The heated debate that ensued among critics and the public set the project apart, distinguishing it as one of the most important and contentious buildings of the early 20th century. In celebration of the Looshaus's ce...
