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MY HAN, Martine GEORGES, n e au Vietnam en 1963, a travers la vie sur un chemin parsem de drames et de d sillusions. En tentant d' chapper ce monde hostile elle s'est perdue dans l'alcoolo-d pendance. Prisonni re de cette "cage," elle y a tout perdu. En retrouvant l'Amour, elle est sortie de la cage et s'est envol e pleine de confiance et d'esp rance. Un drame a mis fin son envol. Elle a rejoint Tyr na nOg, le pays de l' ternelle jeunesse, laissant ceux qui restent sur le quai le go t de l'inachev, l'espoir de s'en sortir et la Foi en l'Amour infini...
Une petite vietnamienne est adoptée en 1963 et vient en France.Elle connaitra le drame de son pays d'origine, la mort de son papa adoptif lorsqu'elle avait 11 ans, les conflits familiaux puis conjugaux avant de tomber dans le piège festif de l'alcool. Elle sera entrainé dans un engrenage où elle perdra tout, son couple, ses enfants, son travail d'infirmière, et connaitra les manipulateurs, les profiteurs avant de rencontrer l'Amour, celui qui fait qu'un couple ne fait plus qu'un dans le respect, la confiance et l'épanouissement de chacun. Elle connaitra enfin la résurgence de sa personnalité hors de l'alcool.
'Bad Island is an extraordinary, unsettling document: a silent species-history in eighty frames, a mute future archive. I can imagine it discovered in the remnants of a civilisation; a set of runes found amid the ruins. Stark in its lines and dark in its vision, Bad Island reads you more than you read it' Robert Macfarlane 'I've read lots of Stanley's stuff and it's always good and I am in no way biased' Thom Yorke, lead singer of Radiohead From cult graphic designer and long-time Radiohead collaborator Stanley Donwood comes a starkly beautiful graphic novel about the end of the world. A wild seascape, a distant island, a full moon. Gradually the island grows nearer until we land on a primeval wilderness, rich in vegetation and huge, strange beasts. Time passes and things do not go well for the island. Civilization rises as towers of stone and metal and smoke, choking the undergrowth and the creatures who once moved through it. This is not a happy story and it will not have a happy ending. Working in his distinctive, monochromatic lino-cut style, Stanley Donwood carves out a mesmerizing, stark parable on environmentalism and the history of humankind.
'Fascinating' The Times 'Blakeian in its singularity' New Statesman 'A wonderful adventure' Irish Times 'Rich, complex and original' Tom Holland 'A crisp, ambitious and thoroughly contemporary introduction' Times Literary Supplement Poet, artist, visionary and author of the unofficial English national anthem 'Jerusalem', William Blake is an archetypal misunderstood genius. In this radical new biography, we return to a world of riots, revolutions and radicals, discuss movements from the Levellers of the sixteenth century to the psychedelic counterculture of the 1960s, and explore the latest discoveries in neurobiology, quantum physics and comparative religion to look afresh at Blake's life and work - and, crucially, his mind. Taking the reader on wild detours into unfamiliar territory, John Higgs places the bewildering eccentricities of a most singular artist into context and shows us how Blake can help us better understand ourselves.
You Took the Last Bus Home is the first and long-awaited collection of ingeniously hilarious and surprisingly touching poems from Brian Bilston, the mysterious ‘Poet Laureate of Twitter’. With endless wit, imaginative wordplay and underlying heartache, he offers profound insights into modern life, exploring themes as diverse as love, death, the inestimable value of a mobile phone charger, the unbearable torment of forgetting to put the rubbish out, and the improbable nuances of the English language. Constantly experimenting with literary form, Bilston’s words have been known to float off the page, take the shape of the subjects they explore, and reflect our contemporary world in the form of Excel spreadsheets, Venn diagrams and Scrabble tiles. This irresistibly charming collection of his best-loved poems will make you laugh out loud while making you question the very essence of the human condition in the twenty-first century.
Whether it’s childhood make-believe, the theater, sports, or even market speculation, play is one of humanity’s seemingly purest activities: a form of entertainment and leisure and a chance to explore the world and its possibilities in an imagined environment or construct. But as Roberte Hamayon shows in this book, play has implications that go even further than that. Exploring play’s many dimensions, she offers an insightful look at why play has become so ubiquitous across human cultures. Hamayon begins by zeroing in on Mongolia and Siberia, where communities host national holiday games similar to the Olympics. Within these events Hamayon explores the performance of ethical values and...
Poison has caused some of history's most dramatic deaths--yet a fine line separates healing from killing: the difference lies in the dosage! Folklorist Fez Inkwright returns to the archives to reveal fascinating stories behind a variety of lethal plants, witching herbs, and funghi. Going from A to Z, she covers everything from apple to oleander, beautifully illustrating each plant herself. This enthralling treasury is packed with insight and lore on the mysteries of everyday flora.
A giant of British social anthropology, Jack Goody (1919 – 2015) laboured for sixty years to transcend the view that anthropology was the study of “other cultures”. He wanted to move it in the direction of a more sociological, postcolonial, comparative social science. The most important precondition for this science was the freeing of world history from centuries of Eurocentric bias. From his base in Cambridge, Goody’s influence and inspiration spread out internationally. In Germany, as a long-term adviser to the Max Planck Society, he played a key role in the establishment of the Max Planck Institute for Social Anthropology in Halle (Saale) in 1999. This volume presents twelve Goody Lectures delivered in Halle between 2011 and 2022, together with an unpublished lecture given in 2004 by Goody himself and biographical and bibliographical essays by the editors.