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The Art of Mary Beth Edelson
From 70s ritural performances to the post-feminism of a new century, Mary Beth Edelson has been destabilizing preexisting representations of women. Whether in her version of the Last Supper, in which Georgia O'Keeffe plays Christ to disciples Lee Krasner, Nancy Graves, Louise Bourgeois, and Yoko Ono; or in her isolation and re-narrativization of stereotypical images of Hollywood femmes fatales, Edelson never loses sight of what is at stake in her work: the construction, representation, and consumption of images of women. This book, a virtual scrapbook of the feminism movement, includes coversations between Edelson and such seminal feminist figures as Carolee Schneemann, Nancy Spero, and Miriam Schapiro. Designed by the artist and full of 30 years worth of her multidisciplinary feminist and community-based work, The Art of Mary Beth Edelson offers Edelson the ultimate control over the construction of her own image in the present and the opportunity to recontextualize her past.
Seven Cycles
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Mary Beth Edelson
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Mary Beth Edelson
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Reckoning
History of the struggle leading up to #MeToo and beyond: from the first tales of workplace harassment percolating to the surface in the 1970s, to the Clinton/Lewinsky scandal, when liberal women largely forgave Clinton, giving men a free pass for two decades. Many liberals even resisted the movement to end rape on campus.
WACK!
Written entries on each artist offer key biographical and descriptive information and accompanying essays by leading critics, art historians, and scholars offer new perspectives on feminist art practice. The topics provide a broad social context for the artworks themselves.
Mary Beth Edelson
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Feminist Avant-Garde
Now available again in an expanded edition and featuring a variety of work from artists both well-known and under the radar, this volume explores the pioneering achievements of the Feminist Avant-Garde. For art history, the 1970s represent the beginning of women subverting culturally and socially established constructions and traditional norms. Second-wave feminism, with its slogan "The personal is political", challenged the one-dimensional roles assigned to women--mother, housewife, and spouse. During this period, women artists radically questioned their duties and created a plurality of self-determined representations of themselves. Rejecting traditional male-dominated techniques, such as ...
It's Time for Action (There's No Option)
Edited by Heike Munder. Text by Amelia Jones, Mercedes Bunz, Maria Elena Buszek, Katy Deepwell.
Modern Women: Women Artists at The Museum of Modern Art
This text examines the collection of feminist art in the Museum of Modern Art. It features essays presenting a range of generational and cultural perspectives.
