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A thirteen-year-old girl gains a much more sympathetic understanding of her relationship with her mother when she has to spend a day in her mother's body.
The memoirs of Mary Rodgers—writer, composer, Broadway royalty, and “a woman who tried everything.” “What am I, bologna?” Mary Rodgers (1931–2014) often said. She was referring to being stuck in the middle of a talent sandwich: the daughter of one composer and the mother of another. And not just any composers. Her father was Richard Rodgers, perhaps the greatest American melodist; her son, Adam Guettel, a worthy successor. What that leaves out is Mary herself, also a composer, whose musical Once Upon a Mattress remains one of the rare revivable Broadway hits written by a woman. Shy is the story of how it all happened: how Mary grew from an angry child, constrained by privilege an...
Srebnick uses the famous, unsolved murder of a Manhattan woman in 1841 as a window into urban culture in the mid-nineteenth-century.
Hadley is pretty much the model student: straight As, perfect attendance, front row in class. So what if she's overstressed and overscheduled: She's got school covered. (Life—not so much.) Ms. Pitt is the kind of teacher who wants you to call her by her first name and puts all the chairs in a circle and tells her students to feel their book reports. Hadley wishes Ms. Pitt would stick to her lesson plan. Ms. Pitt wishes Hadley would lighten up. So when Hadley and Ms. Pitt find themselves switched into each other's bodies, the first thing they want to do is switch right back. It takes a family crisis, a baffled principal, and a (double) first kiss to help them figure out that change can be pretty enlightening. Even if it is a little freaky!
A boy and his father literally find themselves in each other's shoes.
A quote from the novel, motion picture, and theatrical musical, "Once Upon a Mattress." The play was written as an adaptation of the Hans Christian Andersen fairytale "The Princess and the Pea." *** This journal alternates between 9 LINED pages for writing and 1 BLANK page for sketching throughout - Size 5.2" x 0.2" x 8" with 110 pages total. *** It can be used for show notes, as a simple diary, a mini class notebook, prayer journal, a place to write goals, dreams, and milestones, and more. Make the book even more special by tucking tickets, a gift card, or a little cash in the folds. When you want to wrap something that is more personal than a greeting card, this book does the trick. Check ...
This book uses one of the most popular accessories of childhood, the Barbie doll, to explain key aspects of cultural meaning. Some readings would see Barbie as reproducing ethnicity and gender in a particularly coarse and damaging way - a cultural icon of racism and sexism. Rogers develops a broader, more challenging picture. She shows how the cultural meaning of Barbie is more ambiguous than the narrow, appearance-dominated model that is attributed to the doll. For a start, Barbie′s sexual identity is not clear-cut. Similarly her class situation is ambiguous. But all interpretations agree that, with her enormous range of lifestyle `accessories′, Barbie exists to consume. Her body is the perfect metaphor of modern times: plastic, standardized and oozing fake sincerity.
Originally published in 1976, this hilarious follow-up to the classic "Freaky Friday"--also known as "ESP TV"--is updated with colorful new cover art that gives this edition an uproarious new look.
Two generations worth of practical and imaginative ideas about the house, decorating, entertaining, living with children, husbands--and oneself.
A deeply human and timely story of Polish immigrants in Britain, which will elelectrify as it explores the ways unlikely encounters transform lives, the limits of loyalty, and love.