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In Águila: The Vision, Life, Death, and Rebirth of a Two-Spirit Shaman in the Ozark Mountains, María Cristina Moroles traces the path of her extraordinary life from the streets of Dallas to the wilderness of the Arkansas Ozarks, where she has resided for fifty years. Hailing from a large Indigenous and Mexican American family in Texas, Moroles apprentices herself to healers and shamans across the Americas as she follows the spiritual vision that leads her to establish a mountaintop sanctuary for women and children of color in a notoriously insular location in the Ozark Mountains. This is a survivor’s tale, and a back-to-the-lander’s tale, unlike any other. From early traumas to countercultural rebellion and profound spiritual awakening, Moroles recounts milestones that earn her the ceremonial names SunHawk and Águila, as she builds a sustainable community off the grid, atop a mountain otherwise uninhabited by human life. Águila tells the truth of one woman’s search for freedom and all women’s quest for dignity as it celebrates the healing powers of nature.
In Águila: The Vision, Life, Death, and Rebirth of a Two-Spirit Shaman in the Ozark Mountains, María Cristina Moroles traces the path of her extraordinary life from the streets of Dallas to the wilderness of the Arkansas Ozarks, where she has resided for fifty years. Hailing from a large Indigenous and Mexican American family in Texas, Moroles apprentices herself to healers and shamans across the Americas as she follows the spiritual vision that leads her to establish a mountaintop sanctuary for women and children of color in a notoriously insular location in the Ozark Mountains. This is a survivor’s tale, and a back-to-the-lander’s tale, unlike any other. From early traumas to countercultural rebellion and profound spiritual awakening, Moroles recounts milestones that earn her the ceremonial names SunHawk and Águila, as she builds a sustainable community off the grid, atop a mountain otherwise uninhabited by human life. Águila tells the truth of one woman’s search for freedom and all women’s quest for dignity as it celebrates the healing powers of nature.
Seven years after the death of Anton Chekhov, his sister, Maria, wrote to a friend, "You asked for someone who could write a biography of my deceased brother. If you recall, I recommended Iv. Al. Bunin . . . . No one writes better than he; he knew and understood my deceased brother very well; he can go about the endeavor objectively. . . . I repeat, I would very much like this biography to correspond to reality and that it be written by I.A. Bunin." In About Chekhov Ivan Bunin sought to free the writer from limiting political, social, and aesthetic assessments of his life and work, and to present both in a more genuine, insightful, and personal way. Editor and translator Thomas Gaiton Marull...
This is a study of gay and lesbian life in Arkansas in the twentieth century, a deft weaving together of Arkansas history, dozens of oral histories, and Brock Thompson's own story.
Literary Nonfiction. Poetry. Fiction. Women's Studies. LGBT Studies. Landykes of the South is the second special issue of Sinister Wisdom (Sinister Wisdom 98) featuring memoirs, interviews, essays, and artifacts from the Southern Lesbian Feminist Activist Herstory Project, a project of Womonwrites, the Southeast Lesbian Writers' Conference. For some early women's liberationists in the first consciousness- raising groups, forming a women's land group was an outcome of the process, putting theory into action. Some Lesbians came out in the counterculture's back-to-the-land movement, some waking up to feminism after moving to the country with a mixed group or male partner. Our collection of Landyke stories begins in 1969 when Corky Culver's consciousness-raising group in Florida, possibly the first Lesbian land group in the country, began to look for land. We chose to end the storytelling at the end of the twentieth century in 1998 with Maat Dompim, but the Landyke movement continues in some form to this day.
"Drawing from the fields of history, philosophy, cognitive science, sociology, and literary theory, and quoting chilling contemporary accounts, historian Guy Lancaster argues that the act of lynching encompasses five distinct but overlapping types of violence"--
An extraordinary artist and designer: a fresh view of Harry Bertoia's entire body of work. Italian-born American Harry Bertoia (1915-78) was one of the most prolific and innovative artists and designers of the postwar period. Trained at the Cranbrook Academy of Art, where he met future colleagues and collaborators, such as Charles and Ray Eames, Florence Knoll, and Eero Saarinen, he went on to make one-of-a-kind jewelry, design iconic chairs, create thousands of unique sculptures including large-scale commissions for significant buildings, and advance the use of sound as sculptural material. His work speaks to the confluence of numerous fields of endeavor but is united throughout by a sculpt...
There really are women who are less than good mothers. However, during the past quarter century, the definition of bad mother has changed with changing lifestyles and changes to the family structure. Mothers today are blamed for a host of problems. Drawing together the work of prominent scholars and journalists, and individual cases, BAD MOTHERS marks an important contribution to the literature on motherhood.