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A Rabelaisian satire loosely based on Voltaire's Candide, Terry Southern and Mason Hoffenberg's Candy became one of the most famous novels of the tumultuous 1960's. Detailing its humble beginnings in Paris through its agonizing three-year writing gestation (often on paper napkins, lost or destroyed) and the authors' wily business dealings first with French-based publisher Maurice Girodias, then Putnam is America, this book follows with unblinking scrutiny Candy's underground (then mainstream) success, its blatant piracy, its legal shenanigans, and its all-star movie flop. Replete with deceptions and self-deceptions, midnight dope runs, and general pandemonium, THE CANDY MEN is as much fun to read as the original novel itself. And far more instructive.
In the early fall of 1958, the notorious Olympia Press in Paris published a novel entitled Candy, an erotic, Rabelaisian satire loosely based on Voltaire's Candide by one Maxwell Kenton, pseudonym of its coauthors, Terry Southern and Mason Hoffenberg. The novel drew the attention of the French censors, was banned, reissued by Olympia's intrepid publisher under the title Lollipop, rebanned, then again reissued. Within years it became one of the most talked-about novels of the tumultuous 1960s, selling in the millions of copies in America alone, its success prompting Hollywood to turn it into a movie. The hilarious, rollicking, sometimes tragic story of Candy's public career is recounted here ...
'There is only heroin, there is only Candy, the three of us adrift on the endless sea of love. ' Candy is a love story. It is also a harrowing investigation of the raw heart of addiction; its claustrophobia and momentum. From the heady narcissism of the narrator's first days with his new lover, Candy, and the relative innocence of their shared habit, Candy charts their decline when smack becomes the total and only focus of their lives.
Before New Journalism, before the waggish cinema of Woody Allen, before the Gonzo World of Hunter S. Thompson, Saturday Night Live, and National Lampoon, there was the legendary Terry Southern—author of Candy and The Magic Christian and the screenwriter of Dr. Strangelove and Easy Rider. Red-Dirt Marijuana and Other Tastes, widely recognized as an underground classic, is a collection of Southern's short pieces, two dozen hilarious, well-observed, and devastating sketches that expose the hypocrisy of American social mores. This edition features an introduction by George Plimpton, one of Southern's longtime literary allies and former editor of The Paris Review. “Terry Southern is the illeg...
A The Tablet Book of the Year Last Post has a double life; it both sounds for the gallant fallen and recalls what spurred freelance journalists, in all those yesterdays before e-mail, to get their copy in the pillar-box by deadline time. Frederic Raphael's compendium, written in the lively equivalent of the French epistolary second person singular, is a rare mixture of loud salutes, occasional raspberries and affectionate farewells. Its intimacy delivers frankness that formal biography, however plumped with proper sources, seldom achieves. To John Schlesinger, '"Fuck 'em all dear," you used to say. And God knows, you did your best.'; Ludwig Wittgenstein saying 'What do you know about philoso...
Nelson Algren was a renowned Chicago writer known for his social commentary and his novels like The Man with the Golden Arm and A Walk on the Wild Side. Although he continues to be remembered almost exclusively for his novels, this book aims to highlight the value and influence of his short form works. Before he died in 1981, Algren had amassed a genre-defying body of work, including short stories, articles, poems and book reviews. The present book features a comprehensive analysis and discussion of Algren's lost literature, including everything but his novels. One of the pieces covered is a masterpiece of race relations written in 1950, more than 60 years before the galvanization of the Black Lives Matter movement. Another is a scathing poem about Algren's transatlantic love affair with Simone de Beauvoir. Both items are reprinted in the book courtesy of the Algren estate. This book also includes references to Algren's works that have yet to be studied by Algren scholars.
First published in 1988, this book contains entries on famous American Humorists. Humor has been present in American literature, from the beginning, and has developed characteristics that reflect the American character, both regional and national. Although American literature was, in the past, treated as inferior to British literature, there has always been a large popular audience for the genre, which this book shows. The figures with entries in this encyclopedia not only amuse in their writing, but also aim to enlighten- setting out to expose the foibles and foolishness of society and the individuals who compose it. It is the manner in which these authors try to accomplish this end that determines whether they appear in the volume. Indeed, the book will demonstrate that the best humor has at its base, a ready understanding of human nature.