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The Ancient Novel and Beyond
This volume comprises the revised versions of selected papers read at the International Conference on the Ancient Novel (Groningen, July 2000). The papers cover a wide range of scholarly issues that were prominent in the programme of the conference, and feature the most recent approaches to research on the ancient novel. The essays combine judicious use of literary theory with traditional scholarship, and examine the ancient novels and related texts, such as Oriental tales and Christian narrative, both in their larger, literary, cultural and social context, and as sources of inspiration for Byzantine and modern fiction. This book is important not only for classicists and literary historians, but also for a general public of those interested in narrative fiction.
Cultural Crossroads in the Ancient Novel
The protagonists of the ancient novels wandered or were carried off to distant lands, from Italy in the west to Persia in the east and Ethiopia in the south; the authors themselves came, or pretended to come, from remote places such as Aphrodisia and Phoenicia; and the novelistic form had antecedents in a host of classical genres. These intersections are explored in this volume. Papers in the first section discuss “mapping the world in the novels.” The second part looks at the dialogical imagination, and the conversation between fiction and history in the novels. Section 3 looks at the way ancient fiction has been transmitted and received. Space, as the locus of cultural interaction and exchange, is the topic of the fourth part. The fifth and final section is devoted to character and emotion, and how these are perceived or constructed in ancient fiction. Overall, a rich picture is offered of the many spatial and cultural dimensions in a variety of ancient fictional genres.
A Conclusion Unhindered
Revision of author's thesis (Ph. D.)--Princeton Theological Seminary, 2009.
Re-Wiring The Ancient Novel, 2 Volume set
The Fifth International Conference on the Ancient Novel, which was held in Houston, Texas, in the fall of 2015, brought together scholars and students of the ancient novel from all over the world in order to share new and significant developments about this fascinating field of study and its important place in the field of Classical Studies. The essays contained in these two volumes are clear evidence that the ancient novel has become a valuable part of the Classics canon and its scholarly attempts to understand the ancient Graeco-Roman world.
Narratology and Interpretation
The categories of classical narratology have been successfully applied to ancient texts in the last two decades, but in the meantime narratological theory has moved on. In accordance with these developments, Narratology and Interpretation draws out the subtler possibilities of narratological analysis for the interpretation of ancient texts. The contributions explore the heuristic fruitfulness of various narratological categories and show that, in combination with other approaches such as studies in deixis, performance studies and reader-response theory, narratology can help to elucidate the content of narrative form. Besides exploring new theoretical avenues and offering exemplary readings of ancient epic, lyric, tragedy and historiography, the volume also investigates ancient predecessors of narratology.
The Novel in the Ancient World
From classics and history to Jewish rabbinic narratives and the canonical and noncanonical gospels of earliest Christianity, the relevance of studying the novel of the later classical periods of Greek and Rome is widely endorsed. Ancient novels contain insights beyond literary theories and philosophical musings to new sources for understanding the popular culture of antiquity. Some scholars, in fact, refer to ancient novels as “alternative histories,” for they tell history implicitly rather than with the intentional biases of the historian. The Novel in the Ancient World surveys the new approaches and insights to the ancient novel and wrestles with issues such as the development, transformation, and christianization of the novel (Spirit-inspired versus inspired by the Muses). This publication has also been published in hardback, please click here for details.
The Satyrica of Petronius
In The Satyrica of Petronius, Beth Severy-Hoven makes the masterpiece, with its flights of language and vision of Roman culture around the time of Nero, accessible to a new generation of students of Latin.
Seeing Tongues, Hearing Scripts
The Greek and Roman novels can be seen as an important transitional moment in the trajectory from performance to reading, from oralism to textuality, that has underpinned the history of discourse in European consciousness since the 5th century BC. In different and intriguing ways, they explore the contrast, tension, conflict, competition or dialogue between modes of discourse, which frame the novel's concern with identity and self-fashioning, as well as advertising innovation more generally.This volume brings together an international group of scholars interested in ancient and modern constructions of orality and writing and how they are reflected and manipulated in the ancient novel. The essays deal not only with questions of genre, oral poetics and traditions, but also with how various ways of pitting or collapsing modes of representation can become loaded articulations of wider world-views, of cultural, literary, epistemological anxieties and aspirations. The contributors focus in particular on issues surrounding theatricality, gender identity, rhetorical performance, epistolarity, monumentality and power in the ancient novel.
Thecla's Devotion
Thecla's Devotion studies plot and character within the Thekla episode of the Acts of Paul, reading the text against contemporary pagan romance in order to explore Christian identity formation.
A Companion to Apollonius Rhodius
This volume on Apollonius of Rhodes, whose Argonautica is the sole full-length epic to survive from the Hellenistic period, comprises articles by fourteen leading scholars from Europe and America. Their contributions cover a wide range of issues from the history of the text and the problems of the poet's biography through questions of style, literary technique and intertextual relations to the epic's literary and cultural reception. The aim is to give an up-to-date outline of the scholarly discussion in these areas and to provide a survey of recent and current trends in Apollonian studies which will be useful to students of Hellenistic poetry in general as well as to scholars with a specialised interest in Apollonius.
