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The Politics of Opera in Post-War Venice
Focusing on opera and modernism in postwar Venice, Boyd-Bennett challenges assumptions about music in the twentieth century.
PlayBeckett
DVD-ROM includes a remake of "Film" by Samual Beckett (1965) starring Buster Keaton, and produced by Evergreen Theatre, Inc. The remake/adaptation was realized by Auretta Loria, starring Andrea Menna, Maurizio Failla, Sara Strologo, and Loredana Bonanni, with music by "Il Convento". Additionally, a comparative version is included which shows both films viewed simultaneously alongside each other. Also included are four black and white films by Samuel Beckett (in German): Nur noch Gewölk; Geister Trio (a.k.a. Geistertrio); Nacht und Thräume (a.k.a. Nacht und Träume); Quad (a.k.a. Quadrat I + II).
Nostalgia for the Future
Nostalgia for the Future is the first collection in English of the writings and interviews of Luigi Nono (1924–1990). One of the most prominent figures in the development of new music after World War II, he is renowned for both his compositions and his utopian views. His many essays and lectures reveal an artist at the center of the analytical, theoretical, critical, and political debates of the time. This selection of Nono’s most significant essays, articles, and interviews covers his entire career (1948–1989), faithfully mirroring the interests, orientations, continuities, and fractures of a complex and unique personality. His writings illuminate his intensive involvements with theatre, painting, literature, politics, science, and even mysticism. Nono’s words make vividly evident his restless quest for the transformative possibilities of a radical musical experience, one that is at the same time profoundly engaged with its performers and spaces, its audiences, and its human and social motivations and ramifications.
Film and Television Collections in Europe
Published in 1995, "Film & Television" is an important contribution to Film and Media.
SvobodaMagika
None
Pasolini
Poet, novelist, dramatist, polemicist, and filmmaker Pier Paolo Pasolini continues to be one of the most influential intellectuals of post-war Italy. In Pasolini: The Sacred Flesh, Stefania Benini examines his corporeal vision of the sacred, focusing on his immanent interpretation of the Christian doctrine of the Incarnation and the “sacred flesh” of Christ in both Passion and Death as the subproletarian flesh of the outcast at the margins of capitalism. By investigating the many crucifixions within Pasolini’s poems, novels, films, cinematic scripts and treatments, as well as his subversive hagiographies of criminal or crazed saints, Benini illuminates the radical politics embedded within Pasolini’s adoption of Christian themes. Drawing on the work of theorists such as Ernesto De Martino, Mircea Eliade, Jean-Luc Nancy, Alain Badiou, Giorgio Agamben, and Slavoj Žižek, she shows how Pasolini’s meditation on the disappearance of the sacred in our times and its return as a haunting revenant, a threatening disruption of capitalist society, foreshadows current debates on the status of the sacred in our postmodern world.
Routledge Handbook to Luigi Nono and Musical Thought
Of the post-war, post-serialist generation of European composers, it was Luigi Nono who succeeded not only in identifying and addressing aesthetic and technical questions of his time, but in showing a way ahead to a new condition of music in the twenty-first century. His music has found a listenership beyond the ageing constituency of ‘contemporary music’. In Nono’s work, the audiences of sound art, improvisation, electronic, experimental and radical musics of many kinds find common cause with those concerned with the renewal of Western art music. His work explores the individually and socially transformative role of music; its relationship with history and with language; the nature of...
Premio Nazionale delle Arti. X edizione
Bari, Sala Murat - Teatro Margherita 1 ottobre-10 ottobre 2013 L'Accademia di Belle Arti di Bari presenta la X edizione del Premio Nazionale delle Arti Sezione “Arti figurative, digitali, scenografiche”. Si tratta di una grande festa dell'arte, dell'incontro tra studenti di istituzioni diverse, che al tempo stesso consente ad un pubblico vasto ed eterogeneo di scoprire i giovani talenti delle Accademie italiane. Una grande mostra con l'esposizione di 202 opere dislocate negli spazi storici più rappresentativi della città di Bari: il teatro Margherita, un magnifico cantiere aperto e la Sala Murat, da sempre sede di mostre. Un percorso espositivo articolato in otto sezioni, in cui la produzione artistica degli allievi di venticinque Accademie assume particolare rilevanza in spazi pubblici che abitualmente ospitano rassegne importanti e che per dieci giorni diventano il teatro della giovane creatività italiana.
