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The Pinocchio Effect
'The Pinocchio Effect' draws on a broad array of sources to trace the making of a modern national identity in Italy. The author explores all the ways that identity was constructed through newly formed attachments, voluntary and otherwise, to the nation.
The Earthly Paradise
The essays contained in this volume constitute, not a continuous narrative of the history of how the Eden story in Genesis has been understood, but rather a series of snapshots taken at different moments in that history. They include examples of Christian, Jewish, and Islamic interpretations of Genesis in different periods, places and contexts. They address popular movements, learned exegesis, literary appropriations and modern theology and philosophy. They move from antiquity to the twentieth century, and span a spectrum from orthodox to heterodox interpretations of the Eden narrative.
The Liberty of Servants
Italy is a country of free political institutions, yet it has become a nation of servile courtesans, with Silvio Berlusconi as their prince. Drawing upon the republican conception of liberty, this title shows that a people can be unfree even though they are not oppressed.
Italian Tales
A selection of contemporary Italian fiction in English for readers who wish to explore Italy's rich literary landscape
Humanities
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Ending Terrorism in Italy
Ending Terrorism in Italy analyses processes of disengagement from terrorism, as well as the connected issues of reconciliation, truth and justice. It examines in a critical and original way how terrorism came to an end in Italy (Part I), and the legacy it has left behind (Part II). The book interrogates a wide array of published memoirs and a considerable number of new face-to-face interviews with both former terrorists and first and second generation victims In the last two decades, and especially in recent years, former extreme-right terrorists in Italy have started to talk about their past involvement in terrorist violence, including, for the first time, acts of violence which have for d...
Monsters in the Italian Literary Imagination
A culture defines monsters against what is essentially thought of as human. Creatures such as the harpy, the siren, the witch, and the half-human all threaten to destroy our sense of power and intelligence and usurp our human consciousness. In this way, monster myths actually work to define a culture's definition of what is human. In Monsters in the Italian Literary Imagination, a broad range of scholars examine the monster in Italian culture and its evolution from the medieval period to the twentieth century. Editor Keala Jewell explores how Italian culture juxtaposes the powers of the monster against the human. The essays in this volume engage a wide variety of philological, feminist, and psychoanalytical approaches and examine monstrous figures from the medieval to postmodern periods. They each share a critical interest in how monsters reflect a culture's dominant ideologies.
The Struggle for Life and the Modern Italian Novel, 1859-1925
This book explores Darwinism in modern Italian literature. In the years between Italy’s unification (1861) and the rise of fascism, many writers gave voice to anxieties connected with the ideas of evolution and progress. This study shows how Italian authors borrowed and reworked a scientific vocabulary to write about the contradictions and the contrasting tensions of Italy’s cultural and political-economic modernization. It focuses, above all, on novels by Italo Svevo, Federico De Roberto and Luigi Pirandello. The analysis centers on such topics as the struggle against adverse social conditions in capitalistic society, the risk of failing to survive the struggle itself, the adaptive issues of individuals uprooted from their family and work environments, the concerns about the heredity of maladapted characters. Accordingly, the book also argues that the hybridization and variation of both narrative forms and collective mindsets describes the modernist awareness of the cultural complexity experienced in Italy and Europe at this time.
Beyond Right and Left
Two Italian writers, Gaetano Mosca and Antonio Gramsci, have been very influential in twentieth-century political thought, the first cast as a thoroughgoing conservative, the second as the model of a humanistic Marxist. The author of this provocative book, the first systematic study of the connection between the two men, maintains that they are closer to each other than is commonly supposed-that they in fact belong to the same political tradition of democratic elitism. Maurice A. Finocchiaro argues that Gramsci's political theory is a constructive critique of Mosca's and that the key common element is the attempt to combine democracy and elitism in a theoretical system that defines them not as opposite but as compatible and interdependent. Finocchiaro finds that a critical examination of the major works of the two men demonstrates their shared belief in the viability of democratic elitism and undermines the importance of the distinction between right and left.
The Case for Work
The modern work ethic is in crisis. The numerous harms and injustices harboured by current labour markets and work organisations, combined with the threat of mass unemployment entailed in rampant automation, have inspired a strong “post-work” movement in the theoretical humanities and social sciences, echoed by many intellectuals, journalists, artists and progressives. Against this widespread temptation to declare work obsolete, The Case for Work shows that our paltry situation is critical precisely because work matters. It is a mistake to advocate a society beyond work on the basis of its current organisation. In the first part of the book, the arguments feeding into the “case against...
