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Balanchine and the Lost Muse
Balanchine and the Lost Muse is a dual biography of the early lives of two key figures in Russian ballet, in the crucial time surrounding the Russian revolution: famed choreographer George Balanchine and his close childhood friend, ballerina Liidia Ivanova.
March 1917
In March 1917, Book 4 the willing and unwilling participants of the Russian Revolution try to make sense of their next steps amidst unraveling chaos. One of the masterpieces of world literature, The Red Wheel is Nobel prize–winner Aleksandr Solzhenitsyn’s multivolume epic work about the Russian Revolution told in the form of a historical novel. March 1917—the third node—chronicles the mayhem, day by day, of the Russian Revolution. Book 4 presents, for the first time in English, the conclusion of this four-volume revolutionary saga. The action of Book 4 is set during March 23–31, 1917. Book 4 portrays a cast of thousands in motion and agitation as every stratum of Russian society—...
Bread and Matzoth
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Viaje a Través De La Historia De La Danza
JOS RAFAEL VILAR VIAJE A TRAVS DE LA HISTORIA DE LA DANZA Este pequeo libro surgi de la falta de un texto, accesible y en castellano, para que mis alumnos de historia de la danza pudieran ampliar sus conocimientos, por lo que ste podr servir a muchos lectores, artistas en formacin o profesionales o slo nefitos con inters en este hermoso arte, para conocer y disfrutarlo mejor, porque cuando se conoce de dnde surge una obra o cmo era su entorno, se la disfruta mejor. La danza es un arte que est siempre presente en nuestras vidas, desde las cuevas en la comunidad primitiva, y ha estado indisolublemente ligada a cada etapa de la historia, ya sea como danzas religiosas, de saln o de escena o, sen...
And Then Came Dance
Presenting for the first time Akim Volynsky's (1861-1926) pre-balletic writings on Leonardo da Vinci, Fyodor Dostoevsky, Otto Weininger, and on such illustrious personalities as Zinaida Gippius, Ida Rubinstein, and Lou Andreas-Salome, And Then Came Dance provides new insight into the origins of Volynsky's life-altering journey to become Russia's foremost ballet critic. A man for whom the realm of art was largely female in form and whose all-encompassing image of woman constituted the crux of his aesthetic contemplation that crossed over into the personal and libidinal, Volynsky looks ahead to another Petersburg-bred high priest of classical dance, George Balanchine. With an undeniable proclivity toward ballet's female component, Volynsky's dance writings, illuminated by examples of his earlier gendered criticism, invite speculation on how truly ground-breaking and forward-looking this critic is.
Dancing in Petersburg
There have been wonderful books about dancing, and superbly evocative ones about old Russia: but here the two themes are fascinatingly wedded. For these are the memoirs of the prima ballerina assoluta of the imperial Russian ballet, Mathilde Kschessinska (the Princess Romanovsky-Krassinsky), with whom, at her first appearance, the Tsarevitch Nicholas fell in love. As a dancer she had few rivals: apart from her marvellous technique she had a star personality, and was adored by the public. At the height of her fame she appeared in London with Diaghilev's company and danced with Nijinsky: she preferred, however, to dance in Russia, and for twenty years she was the adored darling of the great world of Petersburg. After the Revolution, when she was living as an emigre in the South of France, Diaghilev begged her to dance for him in his new Paris season, but to no avail. Kschessinska's memoirs fall roughly into three parts: the glittering fairy-story of her life as prima ballerina in Russia; her flight during the Revolution; and the era in which she established herself as a teacher of the highest rank. It is an extraordinary self-revelation of a great dancer and an utterly human person.
The True Memoirs of Little K
A California Book Award Finalist One of Oprah's Book Club's Ten Fantastic Books for Fall 2010 Historical Novel Review Editors' Choice Exiled in Paris, the frail, elderly Mathilde Kschessinska sits down to write her memoirs. A lifetime ago, she was the vain, ambitious, impossibly charming prima ballerina assoluta of the tsar's Russian Imperial Ballet in St. Petersburg. Kschessinska's riveting storytelling soon thrusts us into a world lost to time: that great intersection of the Russian court and the Russian theater. Through Kschessinska's memories of her own triumphs and defeats, we witness the stories that changed history, from the seething beginnings of revolution to the end of a grand, decadent way of life that belonged to the nineteenth century. Based on fact, Adrienne Sharp's The True Memoirs of Little K is "an engrossing tale of love, loss, and history" (The Wichita Eagle).
