Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Performing Ice
In the Anthropocene, icy environments have taken on a new centrality and emotional valency. This book examines the diverse ways in which ice and humans have performed with and alongside each other over the last few centuries, so as to better understand our entangled futures. Icescapes – glaciers, bergs, floes, ice shelves – are places of paradox. Solid and weighty, they are nonetheless always on the move, unstable, untrustworthy, liable to collapse, overturn, or melt. Icescapes have featured – indeed, starred – in conventional theatrical performances since at least the eighteenth century. More recently, the performing arts – site-specific or otherwise – have provoked a different set of considerations of human interactions with these non-human objects, particularly as concerns over anthropogenic warming have mounted. The performances analysed in the book range from the theatrical to the everyday, from the historical to the contemporary, from low-latitude events in interior spaces to embodied encounters with the frozen environment.
New Dramaturgy
Recent shifts in the theatrical landscape have had corresponding implications for dramaturgy. The way we think about theatre and performance today has changed our approaches to theatre making and composition. Emerging new aesthetics and new areas of dramaturgical work such as live art, devised and physical theatre, experimental performance, and dance demand new approaches and sensibilities. New Dramaturgy: International Perspectives on Theory and Practice is the first book to explore new dramaturgy in depth, and considers how our thinking about dramaturgy and the role of the dramaturg has been transformed. Edited by Katalin Trencsényi and Bernadette Cochrane, New Dramaturgy: International Perspectives on Theory and Practice provides an unrivalled resource for practitioners, scholars, and students.
Aesthetics of Presence
In the field of aesthetic experiences, presence must be seen as mental activities such as attention, curiosity, and participation. The mere physical ‘being-there’ guarantees no aesthetic responses to artistic or natural appearances. When aesthetics became part of the discourse in eighteenth-century Enlightenments philosophy, the beholder was the centre of interest: how observations turned into aesthetic experiences. In this book, the spectator, reader, listener and viewer have again become the focus of scholarly attention, replacing the century-long dominance of the artwork as exclusive object of aesthetics. In the light of such historical observations, the book develops central aspects of an aesthetics of presence, and introduces, interfoliated with cases of aesthetic experiences in arts and theatre, cities and nature, new parameters of presence. Perceiving, playing, placing and performing are explored and systematised here as theoretical cornerstones of a renewed ‘Aesthetics of Presence’.
Barrie Kosky’s Transnational Theatres
This book, the first of its kind, surveys the career of the renowned Australian-German theatre and opera director Barrie Kosky. Its nine chapters provide multidisciplinary analyses of Barrie Kosky’s working practices and stage productions, from the beginning of his career in Melbourne to his current roles as Head of the Komische Oper Berlin and as a guest director in international demand. Specialists in theatre studies, opera studies, musical theatre studies, aesthetics, and arts administration offer in-depth accounts of Kosky’s unusually wide-ranging engagements with the performing arts – as a director of spoken theatre, operas, musicals, operettas, as an adaptor, a performer, a write...
Undisciplining Dance in Nine Movements and Eight Stumbles
If much of what we teach and come to know from within the disciplinary regime of Dance Studies is founded on a certain kind of mastery, what scope is there to challenge, criticize and undo this knowledge from within the academy, as well as through productive encounters with its margins? This volume contributes to a growing discourse on the potential of dance and dancers to affect change, politics and situational awareness, as well as to traverse disciplinary boundaries. It ‘undisciplines’ academic thinking through its organisation into ‘movements’ and ‘stumbles’, reinforcing its theme through its structure as well as its content, addressing contemporary dance and performance prac...
Chinese Archery Studies
This book, the first research publication on China’s archery culture to appear in the English language, introduces the historic development, key concepts, and research methodologies for archery studies. Archery was the most important weapon of war in pre-modern China; at the same time, archery practice was intimately tied to Confucius’ cultural and pedagogic ideals. Chinese archery was divided into the domains of military archery (wushe) and ritual archery (lishe), and may be further distinguished into han (Chinese) and hu (barbarian) archery traditions. Bringing together the leading scholars in this field, including Ma Mingda, Stephen Selby, Ma Lianzhen, Peter Dekker, and others, this book presents the most comprehensive statement on archery studies to date. In particular, it provides an in-depth survey of archery development during the Qing period and offers a unique cultural perspective to understanding China’s last imperial dynasty—through the lens of Manchu archery.
Shakespeare, Spectatorship and the Technologies of Performance
Examining how technological developments in performance practices affect spectator experience of Shakespeare and early modern drama.
Difficult Heritage and Immersive Experiences
Difficult Heritage and Immersive Experiences examines the benefits involved in designing and employing immersive technologies to reconstruct difficult pasts at heritage sites around the world. Presenting interdisciplinary case studies of heritage sites and museums from across a range of different contexts, the volume analyzes the ways in which various types of immersive technologies can help visitors to contextualize and negotiate difficult or sensitive heritage and traumatic pasts. Demonstrating that some of the most creative applications of immersive experiences appear in and at museums and heritage sites, the book showcases how immersive technologies offer the possibility of confronting a...
Gaming the Stage
Illuminates the fascinating, intertwined histories of games and the Early Modern theater
