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Great cities deserve great encyclopedias. A city is known by its past, its characteristic virtues and troubles, and its ways of life. 'Marvellous Melbourne' symbolises the achievements of Australian urbanisation and suburbanisation. The Encyclopedia of Melbourne reflects and encompasses the city's historical position as one of the world's pre-eminent nineteenth century metropolises, and as one of the twenty-first century's most liveable cities. Alphabetical entries range from short factual summaries about places, institutions and events, through to extended survey articles on key topics such as Architecture, Aboriginal Melbourne, Economy, Foundation and Early Settlement, Law and Order, Literature, Science, Sport, Suburbia, Theatre and Transport. Although Australia has long ranked amongst the world's most urbanised countries, no comparable reference work exists on any Australian metropolis.
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This volume combines some of the most influential published research in this emerging field with newly commissioned essays on the issues, problems and lessons involved in collaborating museums and source communities. Focusing on museums in the UK, North America and the Pacific, the book highlights three areas which demonstrate the new developments most clearly: the museum as field site or 'contact zone' - a place which source community members enter for purposes of consultation and collaboration visual repatriation - the use of photography to return images of ancestors, historical moments and material heritage to source communities exhibition case studies - these are discussed to reveal the implications of cross-cultural and collaborative research for museums, and how such projects have challenged established attitudes and practices. As the first overview of its kind, this collection will be essential reading for museum staff working with source communities, for community members involved with museum programmes, and for students and academics in museum studies and social anthropology.
"A major study of New Zealand¿s most internationally significant living artist. Billy Apple (born Barrie Bates in Auckland, 1935) is New Zealand¿s most internationally significant living artist and a pioneer of pop and conceptual art. At the Royal College of Art in London from 1959¿62, Apple studied with key contemporaries ¿ notably David Hockney ¿ and staged one of the earliest solo exhibitions in the new `pop¿ art after changing his name, in 1962, to `Billy Apple¿. In 1964 he moved to New York. There, he worked as an art director, developed his art, exhibited extensively with leading artists (notably in the 1964 American Supermarket exhibition with Andy Warhol, Jasper Johns and othe...
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Alternative Photographic Processes teaches techniques, both analog & digital, allowing artists to bring a personal touch through manipulation of a photograph, the negative, and the print. This book stands apart from recent publications on alternative processes by presenting a range of new approaches and methods to achieve popular techniques, as well as providing step-by-step guidance for an array of unique techniques meant to inspire artists working in various mediums. Through detailed guidance, working artist examples, and info about the contemporary use of these processes, this book will provide instruction for students, educators, and artists to expand their creative toolbox.