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Oscar
The first major biography of Oscar Wilde in thirty years, and the most complete telling of his life and times to date. NOMINATED FOR THE WOLFSON HISTORY PRIZE 2019 'The Book of the Year, perhaps of the decade' TLS 'Simply the best modern biography of Wilde... A terrific achievement' Evening Standard 'Page-turning... Vivid and desperately moving. However much you think you know Wilde, this book will absorb and entertain you' The Sunday TimesBooks of the Year Oscar Wilde's life – like his wit – was alive with paradox. He was both an early exponent and a victim of 'celebrity culture': famous for being famous, he was lauded and ridiculed in equal measure. His achievements were frequently dow...
Oscar Wilde
The fullest, most textural, most accurate—most human—account of Oscar Wilde's unique and dazzling life—based on extensive new research and newly discovered materials, from Wilde's personal letters and transcripts of his first trial to newly uncovered papers of his early romantic (and dangerous) escapades and the two-year prison term that shattered his soul and his life. "Simply the best modern biography of Wilde." —Evening Standard Drawing on material that has come to light in the past thirty years, including newly discovered letters, documents, first draft notebooks, and the full transcript of the libel trial, Matthew Sturgis meticulously portrays the key events and influences that ...
The Chronicles of Downton Abbey (Official Series 3 TV tie-in)
The official companion to all three seasons.
Walter Sickert
First major life of the British painter; it re-appraises his talent and demolishes Patricia Corwell's assertions that he was Jack the Ripper.
To the End of the World
'Quivers with honesty, A-list gossip and sardonic prose' The Times 'Everett is a deliciously gifted writer. Nothing and no one escapes his attention' Observer Rupert Everett tells the story of how he set out to make a film of Oscar Wilde's last days, and how that ten-year quest almost destroyed him. (And everyone else.) Travelling across Europe for the film, he weaves in extraordinary tales from his past, remembering wild times, freak encounters and lost friends. There are celebrities, of course. But we also meet glamorous but doomed Aunt Peta, who introduces Rupert (aged three) to the joys of make-up. In '90s Paris, his great friend Lychee burns bright, and is gone. While in '70s London, a 'weirdly tall, beyond size zero' teenage Rupert is expelled from the Central School of Speech and Drama. Unflinchingly honest and hugely entertaining, To the End of the World offers a unique insight into the 'snakes and ladders' of filmmaking. It is also a soulful and thought-provoking autobiography from one of our best-loved and most talented actors and writers.
Aubrey Beardsley
Originally published: London, John Lane; New York, John Lane Comapny, 1909. with a new introduction.
Tosca's Christmas
Tosca the cat doesn't like Christmas. She always seems to be in the way and no one ever remembers to give her a present. What Tosca wishes for more than anything is a Christmas present of her very own - but who could make her wish come true? When she sees a sleigh in the sky, her adventure begins!
Passionate Attitudes
The Eighteen Nineties have become legendary: the period of Wilde, Beardsley and the Yellow Book; a decadent twilight at the close of the Victorian century, when young poets--weary of life--sat about drinking absinthe and talking of strange sins. The provenance of this beguiling picture is peculiar, for the myth of the Decadent Nineties was created during the period itself. It was an age of artistic self-consciousness, during which writers and painters believed that they had to create not only their works but also their personalities. In Passionate Attitudes, Matthew Sturgis examines the varying extents to which ambitious poets, penurious painters, canny publishers and a controversialist pres...
When in Rome
This “dashing chronicle” reveals what tourists have been visiting in Rome, from the era of the Roman Republic to contemporary times (The Independent). There is no place like Rome. Throughout its long, long history, its many changes in form and fortune, Rome has always been a tourist centre. In every age—Classical, Christian, Medieval, Renaissance, Baroque, Neoclassical, Romantic, Modern—people have flocked to see its wonders. This is the story of what Rome’s visitors have looked at over the past two thousand years, the buildings, the statues, the paintings, the artifacts that have most impressed each generation of travellers from the time of the Roman Republic in the second century BC up to the present age of mass tourism. It is the history both of how Rome has changed with the centuries and how the taste of those who have visited the city has changed with it.
