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Out of Touch
Out of Touch investigates how skin has become a crucial but disavowed figure in twentieth-century literature, theory, and cultural criticism. These discourses reveal the extent to which skin figures in the cultural effect of changes in visual technologies, a development argued by critics to be at the heart of the contest between surface and depth and, by extension, Western globalization and identity politics. The skin has a complex history as a metaphorical terrain over which ideological wars are fought, identity is asserted through modification as in tattooing, and meaning is inscribed upon the human being. Yet even as interventions on the skin characterize much of this history, fantasy and science fiction literature and film trumpet skin's passing in the cybernetic age, and feminist theory calls for abandoning the skin as a hostile boundary.
The Self in the Cell
Michel Foucault's writing about the Panopticon in Discipline and Punish has dominated discussions of the prison and the novel, and recent literary criticism draws heavily from Foucauldian ideas about surveillance to analyze metaphorical forms of confinement: policing, detection, and public scrutiny and censure. But real Victorian prisons and the novels that portray them have few similarities to the Panopticon. Sean Grass provides a necessary alternative to Foucault by tracing the cultural history of the Victorian prison, and pointing to the tangible relations between Victorian confinement and the narrative production of the self. The Self in the Cell examines the ways in which separate confinement prisons, with their demand for autobiographical production, helped to provide an impetus and a model that guided novelists' explorations of the private self in Victorian fiction.
Segregated Miscegenation
Through the comparative study of literatures from the United States and Latin America, Segregated Miscegenation questions received notions of race and nation. Carlos Hiraldo examines the current understanding of race in the United States alongside alternative models of racial self-definition in Latin America. His provocative analysis traces the conceptualization of blackness in fiction and theories of the novel, and troubles the racial and ethnic categories particular to each region's literary tradition.
Labor Pains
This book explores the importance of work and its role in defining and developing the self. Maibor reveals how the writings of Emerson, Hawthorne, and Alcott delve into notions of equality through this emphasis on labor. In doing so she challenges the traditional view of Emerson as unconcerned with societal issues, and opens the work of Hawthorne and Alcott to new feminist readings.
The Dangerous Potential of Reading
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Beyond the Sound Barrier
Beyond the Sound Barrier examines twentieth-century fictional representations of popular music-particularly jazz-in the fiction of James Weldon Johnson, F. Scott Fitzgerald, Langston Hughes, and Toni Morrison. Kristin K. Henson argues that an analysis of musical tropes in the work of these four authors suggests that cultural "mixing" constitutes one of the central preoccupations of modernist literature. Valuable for any reader interested in the intersections between American literature and the history of American popular music, Henson situates the literary use of popular music as a culturally amalgamated, boundary-crossing form of expression that reflects and defines modern American identities.
Ireland, Irish America, and Work
This volume offers perspectives on the history of labour in Ireland, as well as on Irish-American labor, particularly since the mass emigration prompted by the famine of the 1840s. It also examines the specific role that the Irish played in the Inland Northwest, as well as the intersections between the concerns of the Irish and Irish-Americans and those of the Spokane and Coeur d’Alene Indians who inhabited the region when European immigrants first arrived. It relies for its theoretical foundations on labour, postcolonial and feminist theory.
Through the Negative
Examines how key nineteenth-century American writers attempted to combat, understand, and incorporate the advent of photography in their fiction and analyzes the impact of photography on narrative histories of the nineteenth century.
Feminist Utopian Novels of the 1970s
This book presents an exploration of the reinvented utopia that provided second-wave feminists of the 1970s with a conceptual space to articulate the politics of change. Tatiana Teslenko argues that utopian fiction of this decade offered a means of validating the personal as well as the political, and of criticizing a patriarchal social order. Teslenko reveals feminists' attempt through fiction to envision a new political order.
Satire and the Postcolonial Novel
Satire plays a prominent and often controversial role in postcolonial fiction. Satire and the Postcolonial Novel offers the first study of this topic, employing the insights of postcolonial comparative theories to revisit Western formulations of "satire" and the "satiric."
