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Maurice Elvington
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
MAURICE ELVINGTON OR 1 OUT OF
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Maurice Elvington; Or, One Out of Suits with Fortune. an Autobiography
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Maurice Elvington, Or One Out of Suits With Fortune, Vol. 1 of 3
Excerpt from Maurice Elvington, or One Out of Suits With Fortune, Vol. 1 of 3: An Autobiography This modesty - or shame, or self-respect, or all, are in my case mastered by a stronger feeling. I have kept company with my own thoughts too long: I must speak out - I must have sympathy. Laugh with me, weep with me, reprove me if you will, but let me hear the voice of my fellow-crea tures telling me once more that I am a denizen in their actual world of joys and sorrows, and I will go away contented. But let my readers accept this narrative from my hands in the spirit in which it is offered to them. It takes its hue and complexion from the varying moods, the lights and shadows, playing over the ...
Maurice Elvington, Or One Out of Suits With Fortune, Vol. 3 of 3
Excerpt from Maurice Elvington, or One Out of Suits With Fortune, Vol. 3 of 3: An Autobiography It followed, as a matter of course, that Clarissa's abnegation of self was not altogether to the taste of the ignorant people about us. They had hung back themselves, and, not having the least idea that she considered herself under an obligation to the person on a sick - bed, could not understand why any one should feel more than ordinary concern in the recovery of a stranger. Indeed they were only too ready at all times to impute a bad mo tive as the principle of any action they could not comprehend, and in this case made their minds up that Clarissa's humanity admitted of no favourable interpret...
