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Using six architectural examples from Philadelphia, this book present a distinct type of house inspired by organic architecture using words and over 200 photographs and drawings.
Part 1, Books, Group 1, v. 20 : Nos. 1 - 125 (Issued April, 1923 - May, 1924)
Foreword by Arthur Drexler. Introduction by Vincent Scully.
Originally published in 1923, this documents the work of the famous Philadelphia-based firm which designed many outstanding residences in Mid-Atlantic and New England states.
Sourcebook of inspiration for architects, designers, others. 1880 line drawings on 70 plates. Bibliography. Captions.
Lonely Planets Pocket Krakow is your guide to the citys best experiences and local life - neighbourhood by neighbourhood. Experience the lively bar scene, visit Schindlers factory, visit the magical Wawel castle; all with your trusted travel companion. Uncover the best of Krakow and make the most of your trip! Inside Lonely Planets Pocket Krakow: Up-to-date information - all businesses were rechecked before publication to ensure they are still open after 2020s COVID-19 outbreak Full-colour maps and travel photography throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, a...
Includes entries for maps and atlases.
This volume sets out to challenge and ultimately broaden the category of the ‘photobook’. It critiques the popular art-market definition of the photobook as simply a photographer’s book, proposing instead to show how books and photos come together as collective cultural productions. Focusing on North American, British and French photobooks from 1920 to the present, the chapters revisit canonical works – by Claudia Andujar and George Love, Mohamed Bourouissa, Walker Evans, Susan Meiselas and Roland Penrose – while also delving into institutional, digital and unrealised projects, illegal practices, DIY communities and the poetic impulse. They throw new light on the way that gendered, racial or colonial assumptions are resisted. Taken as a whole, the volume provides a better understanding of how the meaning of a photobook is collectively produced both inside and outside the art market.