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"Third volume of in-depth analysis of the army. Format is similar to previous two volumes. There is, however, more emphasis on the internal maneuvering which characterizes the period. The detail is based on information provided by the participants. A worthy successor to the other studies and essential for analysis of the period. For reviews of vol. 1, see HLAS 31:7229 and HLAS 32:2599a"--Handbook of Latin American Studies, v. 58.
Present-day respiratory physiology stems largely from the explosion of ideas which took place during and after World War II. A number of the major players are still active, but the opportunity to prepare a personal history of this branch of medicine will soon be lost. In a sense then, this book offers an exceptional, even unique, opportunity. We are offered a first-hand chronicle of the advancements made in respiratory physiology in the course of this century by one of the principal figures in the field. The volume covers every aspect of the evolution of this important area of knowledge: morphology, gas exchange and blood flow, mechanics, control of ventillation, and comparative physiology. Some of the chapters are personal accounts of the development of respiratory physiology as observed by the author. It is hoped that what is lost in objectivity by this approach is more than made up by the captivating insights provided by the author into the process of scientific research and discovery.
Tracing the key themes and dynamics of a century of political development in Mexico, David Shirk explores the evolution of the party that ultimately became the vehicle for Fox's success.
At age 40, when he was a successful journalist, Mauricio Gmez (Bogot, 1949) had to flee Colombia due to his strong position against the drug cartels. In U. S. A., he started to take painting lessons and, in 1992, he swapped careers to art and settled definitely in Paris. In 1999, when he had his first show in Bogot, it was already clear that his work was not conventional. Soon after that, a painful disease to his right arm kept him from working. As a result, he started using different techniques, such as collage, and materials like pigments and rubber, until he had developed a whole new pictorial universe using his left hand. Through an interesting selection of his most recent work, this book aims at showing Mauricio Gmez's new plastic and human facet, which reveals him as a relentless fighter for whom art is the uttermost reason to live.
State Department Publication 11106. Revised March 31, 2005. Contains a complete and official listing of the foreign consular offices in the United States, and recognized consular officers. Designed with attention to the requirements of government agencies State tax officials, international trade organizations, chambers of commerce, and judicial authorities who have a continuing need for handy access to this type of information.
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In 1968, Mexico prepared to host the Olympic games amid growing civil unrest. The spectacular sports facilities and urban redevelopment projects built by the government in Mexico City mirrored the country’s rapid but uneven modernization. In the same year, a street-savvy democratization movement led by students emerged in the city. Throughout the summer, the ‘68 Movement staged protests underscoring a widespread sense of political disenfranchisement. Just ten days before the Olympics began, nearly three hundred student protestors were massacred by the military in a plaza at the core of a new public housing complex. In spite of institutional denial and censorship, the 1968 massacre remains a touchstone in contemporary Mexican culture thanks to the public memory work of survivors and Mexico’s leftist intelligentsia. In this highly original study of the afterlives of the ’68 Movement, George F. Flaherty explores how urban spaces—material but also literary, photographic, and cinematic—became an archive of 1968, providing a framework for de facto modes of justice for years to come.
Ecos de Amor, Recuerdos y Muerte La memoria, el tiempo y la distancia son elementos que el escritor usa como recursos para que Mauricio, un profesor de antropología, y protagonista de la historia, intenta esclarecer la muerte de Memo, su amigo homosexual de la infancia y juventud, extrañamente ocurrida en su pueblo natal, donde los prejuicios homofóbicos, la intolerancia política y social prevalecen fuertemente arraigados. Aunado a esto, se suma su preocupación por los resultados de estudios médicos, debido a la inestable salud de José Manuel, su pareja, alterando aun más el ritmo de hasta ese momento, su rutinaria y organizada vida. Mezclando recuerdos, búsquedas, sinsabores y muerte, el autor logra llevar de la mano al lector por diferentes rutas para llegar a la verdad.