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Twentieth-century Doctor
Dr. Mavis Kelsey's career spanned some of the most astounding years in the development of medicine as a profession. One of the pioneers of multi-specialty clinics. Kelsey is a founder of the prominent Kelsey-Seybold Clinic in Houston. His story is quintessentially the story of how medicine developed from a single-doctor, home-visit practice to the mega-business, high-tech system it now is, especially in urban areas.
The Courthouses of Texas
A county courthouse stands not only as the center of government, but also as the center of civic pride. Some with stately towers and arched doors or windows, some with high brick chimneys and mansard roofs, some in modern concrete and glass, the 254 courthouses of Texas provide an invitation to public life, a testament to the ideal of justice, and an introduction to period architecture. It is no wonder, then, that many tourists each year visit these edifices. This new edition of a classic, indispensable, full-color guide—a true collector’s item for Texas history fans—will help travelers choose which courthouses they want to add to their trips and view them knowledgeably. For each count...
Texas Sayings and Folklore
On the eve of his 100th birthday, Dr. Mavis P. Kelsey shares a generous collection of sayings from his homeland. What began as an enjoyable hobby and led to a limited edition book has now been expanded to include thousands more folk sayings. Many of the expressions here are as old as language itself. Some have their origin in ancient Sumerian and Sanskrit. Others come from Chinese and African tongues, as well as Hebrew, Greek, and Latin. Wherever they originated, they bear the wisdom of the ancients, and they have been used in vernacular speech in Texas during the last century. Some are light-hearted, while others convey deep emotion"joy, sorrow, life, death, and human frailty. Born before sound movies, phonography, or rapid transportation became popular, Dr. Kelsey reminds us that language has the lasting power to both define and delight us. The more things change, the more we coin colorful phrases to describe our experiences.
Making Cancer History
The history of the M. D. Anderson Cancer Center vividly reveals how cancer treatment in America—and our attitudes toward the disease—has changed since the middle of the twentieth century. One of the preeminent cancer centers in the world, M. D. Anderson is also one of the first medical institutions devoted exclusively to caring for people with cancer and researching treatments and cures for the disease. Historian James S. Olson’s narrative relates the story of the center’s founding and of the surgeons, radiologists, radiotherapists, nurses, medical oncologists, scientists, administrators, and patients who built M. D. Anderson into the world-class institution it is today. Through interviews with M. D. Anderson’s leaders and patients, Olson brings to life the struggle to understand and treat cancer in America. A cancer survivor who has himself been treated at the center, Olson imbues this history with humor, passion, and humanity.
Reveille
This richly illustrated book traces this history of Texas A&M's mascot, Reveille, from the first mutt of uncertain origins to Reveille VII, an American collie of purebred lineage and scientific breeding.
Winslow Homer and the Pictorial Press
Winslow Homer (1836-1910), arguably the best-known American artist of the nineteenth century, created three distinctly different bodies of work in the course of his long career: paintings, book illustrations, and illustrations for the pictorial press, the magazine-like illustrated journals of his day. A number of books and exhibition catalogues have dealt with his career as a painter, and historian David Tatham treated all of Homer's work as an illustrator of literature in his Winslow Homer and the Illustrated Book. Now, ten years later, Tatham has completed a full, scholarly account of Homer's work for pictorial magazines such as Harper's Weekly, Appleton's Monthly, and Every Saturday. Home...
Design is One
'Design is One' is a photo and caption sampling of Lella and Massimo's work from 1955 to 2003.
