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Between 1887 and 1920, the humble hatpin went from an unremarkable item in every woman's wardrobe, to a fashion necessity, to a dangerous weapon (it was said). Big hair and big hats of the era meant big hatpins, and their weaponized use sparked controversy. There were "good" uses of hatpins, such as fending off an attacker in the street. There were also "bad" uses, such as when a woman being arrested tried to stab a police officer. But seriously: All those protruding pins seemed to threaten people everywhere in the public sphere. It did not sit well with the patriarchy, who responded with hysterical crusades and often ludicrous legislation aimed at curbing the hatpin and disarming American women.
In 1897, an Indian yogi named Bava Lachman Dass exhibited himself at the Westminster Aquarium in London, demonstrating forty-eight yoga positions to a bemused audience. Four years earlier, Hindu philosopher Swami Vivekananda had spoken at the first World Parliament of Religions in Chicago, where theosophist Annie Besant rhapsodized about 'his inborn sense of worth' and the 'exquisite beauty' of his spiritual message. The Victorians had conflicted views on the religious beliefs and practices of the Indian subcontinent, blending fascination and suspicion. But within two generations, legions of young Westerners would be following the 'hippie trail' to India, and the Beatles would be meditating ...
Considered by many to be a founder of Afrofuturism, Sun Ra—aka Herman Blount—was a composer, keyboardist, bandleader, philosopher, entrepreneur, poet, and self-proclaimed extraterrestrial from Saturn. He recorded over 200 albums with his Arkestra, which, dressed in Egypto-space costumes, played everything from boogie-woogie and swing to fusion and free jazz. John Szwed's Space is the Place is the definitive biography of this musical polymath, who was one of the twentieth century's greatest avant-garde artists and intellectuals. Charting the whole of Sun Ra's life and career, Szwed outlines how after years in Chicago as a blues and swing band pianist, Sun Ra set out in the 1950s to impart his views about the galaxy, black people, and spiritual matters by performing music with the Arkestra that was as vital and innovative as it was mercurial and confounding. Szwed's readers—whether they are just discovering Sun Ra or are among the legion of poets, artists, intellectuals, and musicians who consider him a spiritual godfather—will find that, indeed, space is the place.
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This book serves as a practical guide to maximizing clinicians' effectiveness in rehabilitating overhead throwing athletes. Topics covered will include throwing mechanics, assessment of throwing athletes, and manual therapy with the primary focus of this guide being exercise interventions. Assessment strategies and exercise interventions will be laid out in a progression that can be easily followed and implemented in the clinic today. The inspiration for this book comes from my professional baseball career ending prematurely due to injury. Shortly after I made the 40-man roster for the New York Yankees, I sustained a shoulder injury that altered my career and life. I nearly made it back up t...