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Theatre has often served as a touchstone for moments of political change or national definition and as a way of exploring cultural and ethnic identity. In this book Steve Wilmer selects key historical moments in American history and examines how the theatre, in formal and informal settings, responded to these events. The book moves from the Colonial fight for independence, through Native American struggles, the Socialist Worker play, the Civil Rights Movement, and up to works of the last decade, including Tony Kushner's Angels in America. In addition to examining theatrical events and play texts, Wilmer also considers audience reception and critical response.
"Zurier vividly locates the Ashcan School artists within the early twentieth-century crosscurrents of newspaper journalism, literary realism, illustration, sociology, and urban spectatorship. Her compassionate study newly assesses the artists' rejection of 'genteel' New York, their alignments with mass media, and their innovative ways of seeing in the modern city."—Wanda M. Corn, author of The Great American Thing: Modern Art and National Identity, 1915-35 If the Ashcan School brought a special and embracing eye to the city, Rebecca Zurier in her richly contextual and impressively interdisciplinary book explains and evokes that historically specific urban vision in all its richness. Finall...
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