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Emotional Pain
Bongekile Joyce Mbanjwe’s collection of poems in isiZulu, Izinhlungu Zomphefumulo, with accompanying English translations, is aimed at exposing pain, confusion and the different types of abuse that we face everyday of our lives and that suffering and pain must be followed by solutions.
In the Heat of Shadows
South African poetry today is charged with restlessness, burstng with diversity. Gone is the intense inward focus required to deal with a situation of systematic oppression, the enclosing effort of concentration on a single predicament. While politics and identity continue to be central themes, the poetry since the late 1990s reveals a richer investigation of ancestors and history, alongside more experimentation with language and translation; and enduring concern with the touchstones of love, loss, memory, and acts of witnessing. In the Heat of Shadows: South African Poetry 1996-2013 presents work by 33 poets and includes some translations from Afrikaans, isiXhosa, isiZulu, Sesotho and Xitsonga. This collection follows on from Denis Hirson’s 1997 anthology The Lava of this Land: South African Poetry 1960-1996.
Botsotso
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Djoernal Sastra
5 Tahun boemipoetra, Pena Dilesatkan djoernal sastra boemipoetra, merupakan salah satu dari sekian djoernal sastra yang terbit di Indonesia. Kemunculannya diragukan banyak orang. Terutama dengan daya tahan hidup. Kuat berapa bulankah jurnal yang cuma dibiayai semangat dan senantiasa urunan/patungan para redakturnya itu. Di era kapitalistik seperti sekarang ini, keraguan tersebut sangatlah pantas. Ketika lebih banyak orang yang berlomba mengumpulkan harta, ternyata masih ada yang peduli menyisihkan harta untuk sastra. Untuk apa? Tentu untuk membangun kesusastraan yang lebih bermartabat. Mainstream kesusastraan bukanlah satu warna. Bukan melulu satu kanal. Yang lebih sering didiktekan para red...
Truth and Reconciliation Commission of South Africa Report
CD contains the entire text of the five volume set.
Vagabond
After a century of ruling Hell, the devil's daughter, Cecilia Harrow, escapes the confines of the underworld seeking safety and a normal life.
Pathfinders
Since the inception of the Asian and Pacific Decade of Disabled Persons, ESCAP has been conducting reviews of the progress in achieving the goals of the Decade, in particular, the implementation of the Agenda for Action. The Decade of Disabled Persons will end in December 2002 and a regional exercise to measure achievements has begun. In assessing its achievements, there is a need to look and see what changes have taken place in the lives of people with disabilities in the Asian and Pacific region. This publication contains case studies that reflect the achievements of the Asian and Pacific Decade of Disabled Persons. Describing the impact and improvement in the quality of the daily life of individual people including children with disabilities.
Two Zulu Poets: Mazisi Kunene and BW Vilakazi
In Two Zulu Poets, Dike Okoro brings to our attention the sparkling wealth of African poetry in indigenous languages. Modern African poets and scholars owe so much to the pioneering efforts of these two South African poets. Dr. Okoro has surely, in this bilingual edition of two Zulu poets, unearthed invaluable gems of poetry. Tanure Ojaide, Frank Porter Graham Professor of Africana Studies, The University of North Carolina at Charlotte “Mazisi Kunene is simply one of Africa greatest poets.” N'gugi wa Thiong'o, University of California Irvine, CA, USA “There is a direct line of continuity between Benedict Wallet Vilakazi and Mazisi Kunene concerning the fundamental issue that African literature should be written in the African languages by New African intellectuals”, The Historical Figures of the New African Movement". Ntongela Masilela, PhD, Professor Emeritus of Creative Studies
Amal’ezulu
Amal’ezulu (Zulu Horizons), first published in 1945 in the Bantu (later, African) Treasury Series by the University of the Witwatersrand Press, was the second volume of poetry produced by the renowned Zulu author B.W. Vilakazi. It was written during the ten years he spent living in Johannesburg, in ‘exile’ from his birthplace, KwaZulu-Natal. The poems in this collection represent a turning point in Vilakazi’s life; they express yearnings for the beloved land, animals and ancestral spirits of his rural home, as well as expressions of deep disillusionment with the urban life he encountered in the ‘City of Gold’, and in particular the suffering of the black miners who brought this g...
