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Trooper, a three-legged dog, remembers his life as a stray, before he was adopted.
Poetry. Women's Studies. Kearney draws on her acute powers of observation, a lively curiosity, and her gift for gorgeous imagery to take us on a journey of personal exploration, discovery, and reconciliation. Surprising poems bring together the parallel but discreet worlds of humans and birds, which speak to each other across the gulf between them. With a knowledge of birds and their behavior sufficient to satisfy even the most demanding birder, but never alienating the casual observer, with wit, musicality, and her unflinching eye, Kearney gives us a page-turner we want never to end, its subject being the work in progress which is life and its abundant mysteries. "This book goes well beyond...
The acclaimed story of an adopted teenager's quest to find her place among family, friends, and the wider world. Being adopted is a fact of life in the McLane household: fourteen-year old Lizzie, as well as her older brother and sister were adopted as infants. But facts are not feelings, and what it feels like to be adopted is something Lizzie never dares discuss with her loving parents, let alone with outsiders. Lizzie yearns to confide in others, especially her friend, Peter. Yet something stops her. Will Peter think she is less because her birthmother gave her away? Would telling be disloyal to her adoptive parents? To make sense of her life, Lizzie pours her emotions into her poetry--list poems, sonnets, free verse, sestinas, blues--about her family, best friends, basketball, the dance. Then a tragic accident occurs, and Lizzie knows she must find the courage to speak. In an afterword, the author discusses her own adoption and the beneficial powers of reading and writing poetry. Also included are a guide to the book's poetics and recommended books and links about adoption and poetry.
In An Unkindness of Ravens, Meg Kearney's poems weave voices of estrangement and redemption: mothers, daughters, lovers of gin and dead things. In the middle poems, the protagonist confronts "Raven": a figure of guises and disguises, revealing the speaker's fears and angst. National Book Critics Circle Award-winning poet Donald Hall has written the Foreword. Meg Kearney is the Associate Director of the National Book Foundation. She was the recipient of the Virginia Center for the Creative Arts and New York Times fellowships and received the Alice M. Sellers Academy of American Poets Prize in 1998. She lives in New York City.
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"Wave Says is an invitation to tune in. With taut lyrics and pressurized white space, K.M. English's debut listens into the gaps, sensing into an experience of time, self, and world as perpetually shifting interactions 'circuitries hot to touch... where the depths are believable'. Through an intensely felt, impressionistic poetics in conversation with Dickinson, Celan, Woolf and Olson, as well as a more contemporary lineage of U.S. women experimental poets, Wave Says enacts a theory of energies-in-presence by collapsing perceived borders between interior/exterior, past/present, and the living/dead and rendering a relational, distinctly feminist matrix of language, history, feeling, body, and...
The second collection of poetry by Meg Kearney, this collection explores the poet's past family relaltionships and examines the common place events of life.
A series of interconnected poems shares Lizzie's thoughts about being adopted, her search in finding her identity, her problems with secrets, and her various types of relationships.
"Urban Nature" celebrates nature's resiliency and captures the many faces of wildness in the city with poems by more than 130 emerging and recognized poets.
Presents a collection of short stories about significant moments which marked a turning point in the lives of young protagonists by such authors as Anne Mazer, Alan Stewart Carl, Dave Eggers, and Peter Bacho.