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S.T. Gill & His Audiences
Samuel Thomas Gill, or STG as he was universally known, was Australia’s most significant and popular artist of the mid-nineteenth century. For his contemporaries he epitomised ‘Marvellous Melbourne’ basking in the glow of the gold rushes. He worked in South Australia, Victoria and New South Wales and left some of the most memorable images of urban and rural life in colonial Australia. A passionate defender of Indigenous Australians and of the environment, Gill in his art celebrated the emerging quintessential Australian character. This is the first major comprehensive book to be devoted to Gill and presents a radical reassessment of one of the most important figures in Australian colonial art and reproduces, in some instances for the first time, some of the most startling images from nineteenth-century Australian art. There will be an exhibition of S.T. Gill’s work at the State Library of Victoria in July 2015 and at the National Library of Australia in June 2016, plus smaller shows in regional Victorian galleries. In association with the State Library of Victoria.
Australian Autobiographical Narratives
Australian Autobiographical Narratives Volume 2 and its partner Volume 1 provide researchers with detailed annotations of published Australian autobiographical writing. Both volumes are a rich resource of the European settlement of Australia. Theis selection concentrates on the post-gold rush period, providing portraits of 533 individuals, from amateur explorers to politicians, from pioneer settlers to sportsmen. Like Volume 1, it offers an intimate and absorbing insight into nineteenth-century Australia.
The A to Z of Australia
The last continent to be claimed by Europeans, Australia began to be settled by the British in 1788 in the form of a jail for its convicts. While British culture has had the largest influence on the country and its presence can be seen everywhere, the British were not Australia's original populace. The first inhabitants of Australia, the Aborigines, are believed to have migrated from Southeast Asia into northern Australia as early as 60,000 years ago. This distinctive blend of vastly different cultures contributed to the ease with which Australia has become one of the world's most successful immigrant nations. The A to Z of Australia relates the history of this unique and beautiful land, whi...
Green Harvest
Green Harvest explores the ideas and practices that have shaped organic farming and gardening in Australia from the interwar years to the present day. It reveals that Australian organic farming and gardening societies were amongst the first in the world, being active as early as the 1940s. In what way does human health depend upon the natural environment? Green Harvest traces this idea through four themes of Australian organic farming and gardening – soil, chemical free, ecological well-being and back to the land – each illustrated with a case study profiling an Australian organic farmer or gardener. Personalities in Australian organic gardening, such as Jackie French and Peter Bennett, talk about organic growing. The book also features extracts from early organic magazines and interviews with current organic growers, including banana and macadamia farmers, managers of outback sheep stations, dairy farmers and self-sufficiency gardeners. All of these tell the story of Australian organic farming and gardening: past, present and future.
Education, Inequality And Social Identity
The ethnographic studies in this volume explore issues and approaches in the study of education and inequality. The authors identify that access to status, knowledge and power in society and in particular, in schools varies by virtue of individuals' social and cultural identities. The process of changing this system and resistance to change are examined in this collection, in an attempt to find a course of action for those who are victims of inequality or who seek to combat inequality.
Trist Families of Devon
If your ancestors were Devon farmers and country dwellers this volume is of great relevance and interest because it examines the daily life of villagers using the statistical data accumulated by social historians. It answers some of the questions we would have asked our ancestors if we could travel back in time to their era. Questions are discussed regarding • marriage partners • life span • bereavement • re-marriage • size of families • mobility • men’s & women’s work • standards of living and many more everyday issues.
Memes, Monsters, and the Digital Grotesque
Memes, Monsters, and the Digital Grotesque looks at the emerging and thriving new genre of digital horror from an innovative perspective. Examining digital cultural production during the period that has been referred to as the 'Arab Winter', Moreno-Almeida delves into the memes, animated cartoons, music videos, and expressive cultures — like fashion and urban subcultures — that emerged between 2016 and 2020. In revealing concealed narratives underlying the digital lives of artists, as well as ordinary people, Moreno-Almeida explores how memes, horror, and the grotesque capture a moment infused with political and affective significance, characterized by despair, alienation, and anomie, alongside opportunities for creative experimentation made possible in the postdigital era.
Seeking Meaning, Seeking Justice in a Post-Cold War World
The challenge for historians, as for individuals and nations, has been to make sense of the Cold War past without recourse to the obsolete frameworks of a dichotomous world. The editors of Seeking Meaning, Seeking Justice in the Post-Cold War World, Judith Keene and Elizabeth Rechniewski, have brought together contributions that address the diverse modes by which the Cold War is being assessed, with a major focus on countries on the periphery of the Cold War confrontation. These approaches include developments in historiography as new intellectual and cultural frame are applied to old debates. Authors also consider the ‘universal’ principles and moral discourses, including that of human rights, on which judgements have been based and judicial processes instigated; and the forms of memorialisation that have sought to come to terms, and perhaps achieve reconciliation, with a Cold War past. Contributors are: Ann Curthoys, Philip Deery, Katherine Hite, Michael Humphrey, Su-kyong Hwang, Perry Johansson, Judith Keene, Betty O'Neill, Peter Read, Elizabeth Rechniewski, Estela Valverde, Adrian Vickers and Marivic Wyndham
The Perfect Mile
Publisher Description
Performing Peace and Friendship
Performing Peace and Friendship tells the story of how the Soviet Union succeeded in utilizing the World Festival of Youth and Students in its cultural diplomacy from late Stalinism through the early Khrushchev period. Pia Koivunen discusses the evolution of the youth gathering into a Soviet cultural product starting from the first festival held in Prague in 1947 and ending with the Moscow 1957 gathering, the latter becoming one of the most frequently referred moments of Khrushchev’s Thaw. By combining both institutional and grass-roots’ perspectives, the book widens our understanding of what Soviet cultural diplomacy was in practice, re-evaluates the agency of young people and provides new insights into the Soviet role in the cultural Cold War. Koivunen argues that rather than simply being orchestrated rallies by the Kremlin bureaucrats, the World Youth Festivals also became significant spaces of transnational encounters for young people, who found ways to employ the event for overcoming the various restrictions and boundaries of the Cold War world.
