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Summary of Melissa Bruder's A Practical Handbook for the Actor
Please note: This is a companion version & not the original book. Sample Book Insights: #1 The actor must understand that it is not his job to create magical moments, but rather to put himself in the best possible condition to participate in the play at hand. He must understand which aspects of his performance are within his control and which are not, and then devote himself to correcting those things within his control. #2 The actor must understand that it is not his job to create magical moments, but rather to put himself in the best possible condition to participate in the play. He must understand which aspects of his performance are within his control and which are not, and then devote himself to correcting those things within his control. #3 The actor must understand that it is not his job to create magical moments, but rather to put himself in the best possible condition to participate in the play.
A Practical Handbook for the Actor
For anyone who has ever wanted to take an acting class, "this is the best book on acting written in the last twenty years" (David Mamet, from the Introduction). This book describes a technique developed and refined by the authors, all of them young actors, in their work with Pulitzer Prize-winning playwright David Mamet, actor W. H. Macy, and director Gregory Mosher. A Practical Handbook for the Actor is written for any actor who has ever experienced the frustrations of acting classes that lacked clarity and objectivity, and that failed to provide a dependable set of tools. An actor's job, the authors state, is to "find a way to live truthfully under the imaginary circumstances of the play." The ways in which an actor can attain that truth form the substance of this eloquent book.
After Live
An exploration of how live events--theater, dance, and installation art--stage encounters between the present and a radically ambivalent future
Translucence
An ongoing seminar, led by Ronald Thiemann of Harvard Divinity School, took the arts as the point of departure for consideration of the role of religion in public life, particularly the ways in which Lutheran intellectuals and academics might participate. The emergence of religious meaning in the arts (especially music and literature) and the nature of the spirituality that results are considered by the seminar participants: Curt Thompson, Gregg Muilenburg, Bruce Heggen, Carol Gilbertson, Kathryn P. Duffy, Karen Black, Kathryn Ananda-Owens, James Hanson.
Boys' Life
THE STORY: Told in a series of fast-paced, sharply etched scenes, the play traces the misadventures of three former college buddies now seeking to make their way in the big city--and with various women of their acquaintance. There is the cynical Jac
Creating the Couple
Who decides how, when, and where Americans fall in love and get married? Virginia Wexman's acute observations about movie stars and acting techniques show that Hollywood has often had the most powerful voice in demonstrating socially sanctioned ways of becoming a couple. Until now serious film critics have paid little attention to the impact of performance styles on American romance, and have often treated "patriarchy," "sexuality," and the "couple" as monolithic and unproblematic concepts. Wexman, however, shows how these notions have been periodically transformed in close association with the appearance, behavior, and persona of the stars of films such as The Maltese Falcon, The Big Sleep,...
An Actress Prepares
'Every day, thousands of women enter acting classes where most of them will receive some variation on the Stanislavsky-based training that has now been taught in the U.S. for nearly ninety years. Yet relatively little feminist consideration has been given to the experience of the student actress: What happens to women in Method actor training?' An Actress Prepares is the first book to interrogate Method acting from a specifically feminist perspective. Rose Malague addresses "the Method" not only with much-needed critical distance, but also the crucial insider's view of a trained actor. Case studies examine the preeminent American teachers who popularized and transformed elements of Stanislav...
Been Taken
THE STORY: BEEN TAKEN opens on the campus of an all-women's college where John, a student at another university, meets Margaret, a student photographer, at a dance. The couple return to Margaret's room where they make love. A few days later, John o
Failure to Communicate
Your stomach's churning; you're hyperventilating -- you're in a badly deteriorating conversation at work. Such exchanges, which run the gamut from firing subordinates to parrying verbal attacks from colleagues, are so loaded with anger, confusion, and fear that most people handle them poorly: they avoid them, clamp down, or give in. But dodging issues, appeasing difficult people, and mishandling tough encounters all carry a high price for managers and companies -- in the form of damaged relationships, ruined careers, and intensified problems. In Failure to Communicate, Holly Weeks shows how to master the combat mentality, emotional maelstrom, and confusion that poison difficult conversations...
