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Acting Now
Those interviewed address artistic challenges in the real world, the practical difficulties of a career, and the ways the modern entertainment industry shapes an actor's artistic path.
Fateful Encounters
Tales of fateful encounters between lovers and rivals, friends and strangers. Tales of love, hate, vengeance, romance, family love and loss and abuse, social issues, and bit of fantasy. A collection of short stories originally published separately in literary journals and includes several plays produced in NJ and Pa theaters.
Distant Fires
THE STORY: Thomas, a black construction worker, has just been asked to fill in for the injured foreman of his crew. He takes the responsibility seriously because he hopes it will help him earn a rare union job for which he's the only black crewman
A Practical Handbook for the Actor
For anyone who has ever wanted to take an acting class, "this is the best book on acting written in the last twenty years" (David Mamet, from the Introduction). This book describes a technique developed and refined by the authors, all of them young actors, in their work with Pulitzer Prize-winning playwright David Mamet, actor W. H. Macy, and director Gregory Mosher. A Practical Handbook for the Actor is written for any actor who has ever experienced the frustrations of acting classes that lacked clarity and objectivity, and that failed to provide a dependable set of tools. An actor's job, the authors state, is to "find a way to live truthfully under the imaginary circumstances of the play." The ways in which an actor can attain that truth form the substance of this eloquent book.
The Fans' Love Story
THE FANS LOVE STORYHow The Movie ?ÇÿDIRTY DANCING Captured The Hearts Of Millions! is a celebration of this hit movie from the fans point of view. Fans from all over the world give their heartfelt take on how the movie deeply resonated with them and had a positive impact on their lives. The book is a must-have for any Dirty Dancing/Patrick Swayze fan.You will meet an entertainment icon who served as a consultant to the movie and her real-life dance partner in the Catskills in the 80s. You will also enjoy interviews with three people who worked at two of the film locations during the shooting of the movie and twenty-two fans. In addition to the twenty-seven interviews, the author shares her...
The Director as Collaborator
The Director as Collaborator teaches essential directing skills while emphasizing how directors and theater productions benefit from collaboration. Good collaboration occurs when the director shares responsibility for the artistic creation with the entire production team, including actors, designers, stage managers, and technical staff. Leadership does not preclude collaboration; in theater, these concepts can and should be complementary. Students will develop their abilities by directing short scenes and plays and by participating in group exercises. New to the second edition: updated interviews, exercises, forms, and appendices new chapter on technology including digital research, previsualization and drafting programs, and web-sharing sites new chapter on devised and ensemble-based works new chapter on immersive theater, including material and exercises on environmental staging and audience–performer interaction
The Expressive Actor
"The study of acting should not begin with an exploration of feeling, perception, imagination, memories, intention, personalization, self-identification... or even performance—but physical action." Michael Lugering's The Expressive Actor presents a foundational, preparatory training method, using movement to unlock the entire acting process. Its action-based perspective integrates voice, movement and basic acting training into a unified approach. A wealth of exercises and diagrams guide the reader through this internationally taught program, making it an ideal step-by-step course for both solo and classroom use. Through this course, voice and body training becomes more than a simple skill-building activity – it is the central prerequisite to any actor training. This new Routledge edition has been fully updated, to include: A revised prologue, further discussing the historical and philosophical grounding of The Lugering Method A new introduction, with particular focus on the integrative nature of the method and how the book should be used. New developments, clarifications, and 12 new exercises. 6 new illustrative diagrams.
Teaching as a Performing Art
In his most recent work and with his usual perceptiveness, Seymour Sarason probes the topic of teaching as a performing art. Refreshingly, Dr. Sarason focuses on the often-overlooked role of teachers in galvanizing an audience—their students. Sarason argues that teachers will better engage learners if they are prepared in the artistry of doing so. Sarason sees teachers as actors and thus uses the traditions of stage performance to inspire ways to foster connections between teachers and students. Sarason elucidates how the rehearsal processes actors undergo and the direction they receive, for example, would be similarly beneficial for educators. Recognizing that implementing his ideas would...
Acting
Introduces acting, including information on auditioning, music and dance, rehearsing, developing character, and performance.
Everywhere an Oink Oink
Award-winning playwright, screenwriter, and director David Mamet shares scandalous and laugh-out-loud tales from his four decades in Hollywood where he worked with some of the biggest names in movies. David Mamet went to Hollywood on top—a super successful playwright summoned west in 1980 to write a vehicle for Jack Nicholson. He arrived just in time to meet the luminaries of old Hollywood and revel in the friendship of giants like Paul Newman, Mike Nichols, Bob Evans, and Sue Mengers. Over the next forty years, Mamet wrote dozens of scripts, was fired off dozens of movies, and directed eleven himself. In Everywhere an Oink Oink, he revels of the taut and gag-filled professionalism of the ...
