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Drawing on the West Cornwall Art Archive and many other sources, this profusely illustrated book is the most comprehensive survey ever compiled of painters, draughtsmen and women, sculptors and craftspeople working in Newlyn. The supporting information includes exhibiting records, collections in which the work may be viewed today and bibliographic sources. The artist profiles are supplemented by essays and a rich variety of contemporaneous source material from the Newlyn colony. Topics covered include photography as art, the artists' schools and classes, with full lists of those artists who attended the Forbes' school, and the Arts and Crafts movement in West Cornwall, including the Newlyn copper industry. This title will become the major source book for Newlyn artists of this period. Interest in the artists of Cornwall currently is at a record high. It is published to coincide with a major exhibition at Penlee House Gallery, Penzance.
The Year's Work in Showgirls Studies is a fan culture volume that deconstructs how and why Showgirls, a 1995 drama with a female lead bent on becoming a famous performer in Las Vegas, became a much-contested cult film despite being a critical failure when it released. The collection orchestrates a conversation between scholarly essay work and archival documentation offering a magnificent representation of the array of responses generated by the film, its makers, its promoters, and its audience. A multifaceted approach to the film, its popularity, and its social relevance results in a new text for understanding normative social hierarchies of sexuality, race, and gender. The Year's Work in Showgirls Studies engages with the figurative and actual place of sex work and feminized affective labor in our society.
In Gone Girls, 1684-1901, Nora Gilbert argues that the persistent trope of female characters running away from some iteration of 'home' played a far more influential role in the histories of both the rise of the novel and the rise of modern feminism than previous accounts have acknowledged. For as much as the eighteenth- and nineteenth-century British novel may have worked to establish the private, middle-class, domestic sphere as the rightful (and sole) locus of female authority in the ways that prior critics have outlined, it was also continually showing its readers female characters who refused to buy into such an agenda—refusals which resulted, strikingly often, in those characters' ph...
Liking, sharing, friending, going viral: what would it mean to recognize these current modes of media interaction as promiscuous? In a contemporary network culture characterized by a proliferation of new forms of intimate mediated sociality, this book argues that promiscuity is a new standard of user engagement. Intimate relations among media users and between users and their media are increasingly structured by an entrepreneurial logic and put to work for the economic interests of media corporations. But these multiple intimacies can also be understood as technologies of promiscuous desire serving both to liberalize mediated social connection and to contain it within normative frames of value. Payne brings crucial questions of gender, sexuality, intimacy, and attention back into conversation with recent thinking on network culture and social media, identifying the queer undercurrents of these current media dynamics.
The groundbreaking biography of Maria Branwell reveals a remarkable woman who has been lost in the shadows of her gifted children, Charlotte, Emily and Anne Brontë. The witty, clever and intrepid Cornish lady of letters, lover of Patrick and mother of genius has been missing for too long. The extraordinary Brontës were a family like no other and it all began when Maria met Patrick.
How can scientific theories contribute to contemporary accounts of embodiment in the humanities and social sciences? In particular, how does neuroscientific research facilitate new approaches to theories of mind and body? Feminists have frequently criticized the neurosciences for biological reductionism, yet, Elizabeth A. Wilson argues, neurological theories—especially certain accounts of depression, sexuality, and emotion—are useful to feminist theories of the body. Rather than pointing toward the conventionalizing tendencies of the neurosciences, Wilson emphasizes their capacity for reinvention and transformation. Focusing on the details of neuronal connections, subcortical pathways, a...
The Ultimate Book of Craft Beer is the bible for beer lovers and foodies everywhere. From simple lagers to complex stouts, scattered between all the sage advice and mouth-watering recipes, there are profiles on beers from around the world that you’ll definitely want to try. Perfect for everyone from beginners to old hands, this fun and accessible book guides you from how beer is made and how to store it, to what to look for when you’re in a pub. This guide shows you how to identify the beer styles you might like to try with a ‘if you like this, try this’ section, how to make the most gooey indulgent chocolate brownies with beer, and when and how to add a little pizazz to your cocktails with a splash or two of your favourite brew.
What happens when the avant-garde grows old? Examining a group of writers and artists who continued the modernist experiment into later life, Scott Herring reveals how their radical artistic principles set out a new path for creative aging. Aging Moderns provides portraits of writers and artists who sought out or employed unconventional methods and collaborations up until the early twenty-first century. Herring finds Djuna Barnes performing the principles of high modernism not only in poetry but also in pharmacy orders and grocery lists. In mystery novels featuring Gertrude Stein and Alice B. Toklas along with modernist souvenir collections, the gay writer Samuel Steward elaborated a queer t...
This book notes that stories of lesbianism invariably engage with an apartment setting, a spatial motif not typically associated with lesbian history or cultural representation. Through the formal analysis of five lesbian apartment films, Wallace demonstrates how the standard repertoire of visual techniques and spatial devices are used to scaffold female sexual visibility.