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The voluminous book provides a range of international theories and methodologies in analytical folklore investigations, and a classification scheme based on genre is offered as the system of taxonomy for Philippine traditional materials. Lopez counts on the regional folklorists to refine the classification according to the texts of their respective areas. The different genres, too, are explained and examined in another part of Lopez's study. The reader will definitely find interesting and useful, the illustrative examples for each genre.
An exhaustive study that may well be the first attempt to analyze and systematically classify traditional Filipino games, an important aspect of the Filipino traditional heritage.
The Sulu Zone: A Maritime Cultural Complex revisits enduring links for the conceptualisation of the Sulu Zone as a present-day cultural complex. Honouring Ric Trimillos, a leading ethnomusicologist researching and supporting the study of music and dance in the southern Philippines since 1960, this volume explores heritage, language, social, and political facets in the Southern Philippines, east Malaysian state of Sabah, east Kalimantan, Central and North Sulawesi in Indonesia, and the surrounding Sulu and Celebes seas. This project ultimately seeks to contribute to society’s understanding of the history, contemporary cultures, and rich traditions of communities within the Sulu Zone.
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Slavery and Bonded Labor in Asia, 1250–1900 is the first collection of studies to focus on slavery and related forms of labor throughout Asia. The 15 chapters by an international group of scholars assess the current state of Asian slavery studies, discuss new research on slave systems in Asia, identify avenues for future research, and explore new approaches to reconstructing the history of slavery and bonded labor in Asia and, by extension, elsewhere in the globe. Individual chapters examine slavery, slave trading, abolition, and bonded labor in places as diverse as Ceylon, China, India, Korea, the Mongol Empire, the Philippines, the Sulu Archipelago, and Timor in local, regional, pan-regional, and comparative contexts. Contributors are: Richard B. Allen, Michael D. Bennett, Claude Chevaleyre, Jeff Fynn-Paul, Hans Hägerdal, Shawna Herzog, Jessica Hinchy, Kumari Jayawardena, Rachel Kurian, Bonny Ling, Christopher Lovins, Stephanie Mawson, Anthony Reid, James Francis Warren, Don J. Wyatt, Harriet T. Zurndorfer.
The home has been on the forefront of rapid economic, political, social, and technological transformations for many individuals and families across the world. As a country reliant on the exportation of human labor to sustain its national economy, the Philippines exemplifies a valuable case study of the impacts of a globalized and networked society on the everyday dynamics of a transnational family arrangement. Despite ranking among the heaviest Internet users in the world, Filipino citizens are often left with no choice but to navigate digital and transnational environments orchestrated by the uneven distribution of both national and international resources and opportunities. (Im)mobile Home...
Where Are the People? How Could the People’s Bodies Voice Themselves in the Form of Theatrical Aesthetics? At That Time, the Audience Really Stood Up. In this evening, theater practitioners initiated the conversation with physical action. They engage with contemporary issues through their unique performance styles. From a discursive context, they enter the scene of resistance and undertake the labor of performance. Their performance is not just the preface to a series of dialogues, but also a witness to thirty years of People’s Theater. “People’s theater” belongs to the people. It is the theater created by the people and speaks for the people as it has appeared in history in divers...
Places for Happiness explores two of the most important performance-based activities in the Philippines: the processions and Passion Plays associated with Easter and the mass-dance phenomenon known as “street dancing.” The scale of these handcrafted performances in terms of duration, time commitment, and productive labor marks the Philippines as one of the world’s most significant and undervalued performance-centered cultures. Drawing on a decade of fieldwork, William Peterson examines how people come together in the streets or on temporary stages, celebrating a shared sense of community and creating places for happiness. The first half of the book focuses on localized and often highly...