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Qué es la Expresión Corporal
La Expresión Corporal es una concepción de la danza orientada hacia todas aquellas personas que desean cultivar el gozo de bailar. Es una práctica con una metodología tendiente al logro de una mayor riqueza del lenguaje corporal y expresivo, y a la construcción de códigos que estimulen el encuentro de unas personas con otras. Las danzas creadas bajo su orientación cobran sentido con la fuerza de la emoción y la pasión. Es una práctica que procura salir de modelos imperativos; su objetivo es escuchar y encontrar respuestas propias, signicados personales. Se enmarca en los lineamientos de la educación por y para el arte. Este libro abre un panorama amplio y clarificador en el que el formador encontrará caminos diversos, sugerencias, puntos de partida y temas a desarrollar, entre los que podrá elegir los más apropiados para satisfacer el interés individual, tanto del docente como de la comunidad o del grupo al que destina su tarea.
Family and Empire
In the medieval and early modern periods, Spain shaped a global empire from scattered territories spanning Europe, Africa, and the Americas. Historians either have studied this empire piecemeal—one territory at a time—or have focused on monarchs endeavoring to mandate the allegiance of far-flung territories to the crown. For Yuen-Gen Liang, these approaches do not adequately explain the forces that connected the territories that the Spanish empire comprised. In Family and Empire, Liang investigates the horizontal ties created by noble family networks whose members fanned out to conquer and subsequently administer key territories in Spain's Mediterranean realm. Liang focuses on the Ferná...
A Criminal Injustice
When he went to bed on the night of September 6, 1988, seventeen-year-old Marty Tankleff was a typical kid in the upscale Long Island community of Belle Terre. He was looking forward to starting his senior year at Earl L. Vandermeulen High School the next day. But instead, Marty woke in the morning to find his parents brutally bludgeoned, their throats slashed. His mother, Arlene, was dead. His father, Seymour, was barely alive and would die a month later. With remarkable self-possession, Marty called 911 to summon help. And when homicide detective James McCready arrived on the scene an hour later, Marty told him he believed he knew who was responsible: Jerry Steuerman, his father’s busine...
Venetian Dreaming
Who hasn't longed to escape to the enchanting canals and mysterious alleyways of Venice? Globetrotting writer Paula Weideger not only dreamed the dream, she took the leap. In Venetian Dreaming, she charts the course of her love affair with one of the world's most treasured cities. Weideger's search for a place to live eventually takes her to the Palazzo Donà dalle Rose, one of the rare Venetian palaces continuously inhabited by the family that built it. She weaves the past lives of the family Donà with her own adventures as she threads her way through the labyrinthine city. Art and architecture are a constant presence. Yet even more strongly felt is the passage of time, the panorama of the...
Lives in Architecture
Irreverent and iconoclastic, Nigel Coates has been stirring up the architectural scene for over 40 years. In this warm and compelling autobiography, he explores the highs and lows of life at the cutting edge of architecture and design. Coates’ work often treads playfully at the intersection between bodies, sexuality and design. His portfolio includes interiors for Liberty, Jigsaw and Caffè Bongo in Tokyo, the Body Zone in the Millennium Dome, and built work such as Noah's Ark and the Wall (both in Tokyo) and the Geffrye Museum extension, London. He has also collaborated with high-end product and lighting manufacturers Fornasetti, Fratelli Boffi and Slamp. Formerly the Head of Architecture...
The Abandoners: On Mothers and Monsters
An incisive collection about motherhood and creative life through the lens of mothers—in history, literature, and pop culture—who have abandoned their children. What kind of mother abandons her child? During the pandemic, trapped at home with young children and struggling to find creative space to write, journalist Begoña Gómez Urzaiz became fixated on artistic women who overcame both society’s condemnation and their own maternal guilt to leave their children—at will or due to economic or other circumstances. The Abandoners is sharp, at times slyly humorous, and always deeply empathetic. Using famous examples such as Ingrid Bergman, Muriel Spark, Doris Lessing, and Maria Montessori as well as fictional ones like Anna Karenina and the many roles of Meryl Streep, and interrogating modern trends like “momfluencers,” Gómez Urzaiz reveals what our judgement of these women tells us about our judgement of all women.
