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Micha Bar-Am
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1967
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מבט פנים
Bar-Am began taking photographs in the early 1950s and after some years of military service and work as a photographic reporter in Israel he became the photographic correspondent from Israel for the New York Times in 1968, a position he held until 1992.In 1974 he co-founded the International Center of Photography in New York and from 1977–1992 he was also head of the department of photography at the Tel Aviv Museum of Art.Since 1968 Bar-Am has also been a correspondent for Magnum Photos.Of his photojournalism he writes, 'I keep my internal eye open for that other, metaphorical image that transcends illustration to achieve a wholeness of its own. I strive for the elusive entity that is both evidence and evocation, public record and personal vision.'Published for the exhibition in 2011 at Willy-Brandt-Haus, Berlin and Open Museum of Photography, Israel.English and German text.
1967
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מיכה בר־עם
"The exhibition, which marks the 40th anniversary of the Yom Kippur War, comprises forty photographs taken by Micha Bar-Am before, during and within the war. Most are shown for the first time and reveal a new facet in the photographer's unique work. The exhibition examines Bar-Am's involved position, who says that "the decision where to be and what risk to take is up to the photographer." - from http://www.tamuseum.org.il/about-the-exhibition/micha-bar-am
Micha Bar-Am
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לצלם ולשכוח
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Israel, a Photobiography
As spectacular and moving as Bar-Am's photos are, Thomas L. Friedman's compelling essay provides an anchor in the form of an eloquent reflection on the unfolding of the first fifty years. Israel's contributions to politics and culture, to religion and commerce, have made a tremendous mark on the world, and these issues Friedman addresses with the perception of an outsider who has spent almost a quarter of his life in the area. While Bar-Am's photos show us the events that have shaped Israel's path, Friedman's essay explores the implications of Israel's first fifty years and the nation's powerful struggle between its past and its future.
Micha Bar-Am
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