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In Process and Reality and other works, Alfred North Whitehead struggled to come to terms with the impact the new science of quantum mechanics would have on metaphysics. This ambitious book is the first extended analysis of the intricate relationships between relativity theory, quantum mechanics, and Whitehead's cosmology. Michael Epperson illuminates the intersection of science and philosophy in Whitehead's work-and details Whitehead's attempts to fashion an ontology coherent with quantum anomalies. Including a nonspecialist introduction to quantum mechanics, Epperson adds an essential new dimension to our understanding of Whitehead-and of the constantly enriching encounter between science and philosophy in our century.
The Triumph of the Necrophiles is the product of over forty years of research and is the most thorough, comprehensive, and penetrating critique of the mechanical worldview ever written. Modrow meticulously traces the prescientific sources of that worldview back to our Judeo-Christian heritage and to the metaphysics of Plato and Pythagoras. He documents that Plato was in fact a necrophile and that his metaphysics can best be understood as a sublimation of his necrophilia. He discusses the influence that Plato and Pythagoras had on Copernicus, Kepler and Galileo. He especially emphasizes how the necrophilic worldview of Plato essentially became the worldview of Galileo, Descartes, and other se...
The relationship of mind to matter, and the very understanding of mind and matter still eludes understanding, even after millennia of philosophical work and centuries of scientific reflection. The present volume shows how process philosophy helps us in conceptualizing such problems. The reader will find twelve chapters—written by prominent specialists of various specializations—discussing the relation between a processual school of thinking and natural and psychological scientific research, with a focus on the problems of mind and experience. The three successive sections of the book scrutinise in increasing detail the human mind, to give the full overview of the role that process philosophy might play in providing a consistent, unified language for the description of physical and mental reality.
What if all works of art were better understood as functioning apparatuses, entangling their human audiences in experiences of becoming? What if certain works of art were even able to throw the brakes on becoming altogether, making nothings rather than somethings? What would be the ethical value of making nothing, of stalling becoming; and how might such nothings even be made?Some Ways of Making Nothing: Apophatic Apparatuses in Contemporary Art borrows its understanding of apparatuses from quantum mechanics and the process philosophy of Alfred North Whitehead, and its understanding of nothing from apophatic (negative) theology. It then proposes a new way of understanding art, applying this understanding to artworks by Arakawa and Gins, Robert Fludd, David Crawford, Joshua Citarella, William Pope.L, and Haim Steinbach. Philosophy, physics, theology, and media theory are traversed and involved in order to understand art differently so that it might be made to matter more.
In Untying the Gordian Knot: Process, Reality, and Context, Timothy E. Eastman proposes a new creative synthesis, the Logoi framework—which is radically inclusive and incorporates both actuality and potentiality—to show how the fundamental notions of process, logic, and relations, woven with triads of input-output-context and quantum logical distinctions, can resolve a baker’s dozen of age-old philosophic problems. Further, Eastman leverages a century of advances in quantum physics and the Relational Realism interpretation pioneered by Michael Epperson and Elias Zafiris and augmented by the independent research of Ruth Kastner and Hans Primas to resolve long-standing issues in understa...
A groundbreaking conception of interactive media, inspired by continuity, field, and process, with fresh implications for art, computer science, and philosophy of technology. In this challenging but exhilarating work, Sha Xin Wei argues for an approach to materiality inspired by continuous mathematics and process philosophy. Investigating the implications of such an approach to media and matter in the concrete setting of installation- or event-based art and technology, Sha maps a genealogy of topological media—that is, of an articulation of continuous matter that relinquishes a priori objects, subjects, and egos and yet constitutes value and novelty. Doing so, he explores the ethico-aesthe...
In Whitehead's Radically Temporalist Metaphysics: Recovering the Seriousness of Time, George Allan argues that Whitehead’s introduction of God into his process metaphysics renders his metaphysics incoherent. This notion of God, who is the reason for both stability and progressive change in the world and who is both the infinite source of novel possibilities and the everlasting repository for the finite values, inserts into a reality that is supposedly composed solely of finite entities an entity both infinite and everlasting. By eliminating this notion of God, Allan draws on the temporalist foundation of Whitehead’s views to recover a metaphysics that takes time seriously. By turning to Whitehead’s later writings, Allan shows how this interpretation is developed into an expanded version of the radically temporalist hypothesis, emphasizing the power of finite entities, individually and collectively, to create, sustain, and enhance the dynamic world of which we are a creative part.