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When Dani, a precocious nine year old, loses her hair to leukemia, she embarks on a magical journey to get it back. Simultaneously hilarious and heartbreaking, "Dani Girl" is a tale of life in the face of death, hope in the face of despair, and the indomitable power of the human imagination.
Judge Jackie Justice rules over her reality television courtroom with an iron fist, presiding over a three-ring circus of America's most chaotic civil cases. But, when a drop in ratings brings her face to face with the liability of her own love life, the judge must learn to navigate the ludicrous laws of love in this over-the-top courtroom comedy.
This book explores Kneehigh Theatre Company’s notions of “Brand Kneehigh”, discussing how their theatrical style enjoyed local and global appeal, in relation to theories of globalisation, localisation and cultural exchange. It defines Kneehigh’s theatrical brand, indicating Cornish cultural identity as a core component in conjunction with international influences. By looking at the history of this company, the book’s analysis of key productions reflects on qualities attributed to “Brand Kneehigh” and considers the ‘local’ and ‘global’ nature of their work. The selection and review of productions examined here reveals the changes and reinventions Kneehigh have undergone to incorporate shifting interests and socioeconomic engagements. This book explores Kneehigh’s ambitions to establish themselves as a company delivering material that is ‘popular’ in appeal, meeting the needs of a Cornish (local) community and an international (global) audience. However, tensions working between local and global interests are also exposed, with an investigation into Kneehigh’s own cited solution: their self-created performance space, the Asylum.
"At the O'Neill, we were all engaged with full-hearted passion in sometimes the silliest of exercises, and all in service of finding that wiggly, elusive creature, a new play."—Meryl Streep "I would not be who or where I am today without the O'Neill."—Michael Douglas As the old ways of the commercial theater were dying and American playwriting was in crisis, the Eugene O’Neill Theater Center arose as a midwife to new plays and musicals, introducing some of the most exciting talents of our time (including August Wilson, Wendy Wasserstein, and Christopher Durang) and developing works that went on to win Pulitzer Prizes and Tony Awards. Along the way, it collaborated with then-unknown performers (like Meryl Streep, Michael Douglas, Courtney Vance, and Angela Bassett) and inspired Robert Redford in his creation of the Sundance Institute. This is the story of a theatrical laboratory, a place that transformed American theater, film, and television.
Provides an exhaustive study of the diversity of vocal and performance styles specifically for musical theatre, offering a guide to the complementary craft of song selection and the art of tailoring songs to the singer's greatest attributes.
The Taxi Cabaret follows six people in their twenties during their first year in New York City. Scott, an aspiring novelist, discovers that you do not have to suffer to write. Mark and Sara test their relationship when they move in together. Zach lives an E-ZPass lifestyle, staying safely in the closet, while the eternally unlucky but relentlessly optimistic Karen falls for him, only to have her heart broken. C.C. is an actress/temp who longs for something in her life that will last more than sixteen bars.
The year is 2096 A. D….following the Great Water Wars, the Earth is a hostile place and Christianity has been outlawed. Two classes of people have emerged; wealthy Technocrats and the poverty-stricken Plebots. In Old Newyork, hundreds of thousands live no better than animals. The World Government is about to reclaim these slums by emptying them with a heat bomb, but a secret resistance committee has a plan to stop the slaughter and bring hope. All they need is a hero. Enter Mok, a Plebot with knowledge of the "Galilee Man." This previously released series of six books follows the quests of Mok as he travels through virtual time-now combined in one volume.
This personal observation of Tanna, an island in the southern part of the Vanuatu archipelago, presents an extraordinary case study of cultural resistance. Based on interviews, myths and stories collected in the field, and archival research, The Tree and the Canoe analyzes the resilience of the people of Tanna, who, when faced with an intense form of cultural contact that threatened to engulf them, liberated themselves by re-creating, and sometimes reinventing, their own kastom. Following a lengthy history of Tanna from European contact, the author discusses in detail original creation myths and how Tanna people revived them in response to changes brought by missionaries and foreign governments. The final chapters of the book deal with the violent opposition of part of the island population to the newly established National Unity government.
Mad to live, mad to talk, mad to be saved... 18-year-old Samantha Brown sits in a hand-me-down car with the keys clutched in her hand. Caught between a yearning for the unknown and feeling bound by expectation, she telescopes back to a time before her world had fallen apart. As she relives her senior year, we meet Sam’s well-intentioned helicopter mother Bev and her high school sweetheart of a boyfriend Adam, but it’s her painfully alive best friend Kelly that haunts her. Kelly was everything Sam is not – impetuous and daring. She pushed Sam to break rules and do the unexpected. When Kelly’s killed in a car wreck, Sam loses not only her best friend but also the part of herself that was learning to be brave. Now, Sam has to make a decision. Will she follow her mother’s dreams for her, or will she summon the courage to drive away from her friends and family into a future she can’t imagine?
When four singers awake to find themselves in yet another angst-filled evening of musical theater, they decide to break the song cycle! What follows is a no-holds-barred comedy explosion! Songs & scenes tackling dating rules, Christian sex fiends, and your cubical co-worker's "TMI" erupt on stage as four actors navigate this delightfully treacherous world. Buoyed by a pop/jazz and contemporary musical theater score, with whip-smart lyrics, this is a true find for any theater looking for something bright, shiny, and hysterical for an adventurous audience! Appeared in the 2013 New York Musical Theatre Festival. "Wearing your heart on your sleeve just got a lot funnier!" -CurtainUp