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In The Gospel Its Own Witness (1799), Andrew Fuller not only engaged with Thomas Paine’s attack on Christianity and on the reliability of the Bible, but also interacted with the philosophical position of a number of Enlightenment thinkers. This critical edition is based on the third edition of Fuller’s treatise (1802) and includes a detailed introduction that sets the work in its provenance.
Believe it or not, this is probably the first book to attempt to identify the original sources of some of the English language's most common expressions. We might think we know who first said famous for fifteen minutes, annus horribilis, the cold war and let them eat cake. It's a no brainer, you might say, but Max Cryer has a surprise or two in ...
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In day-to-day speech we use words and phrases without a passing thought as to why we use them or where they come from. Max Cryer changes all that by showing how fascinating the English language really is. Did you know that the former host of Today, Jane Pauley, claims to have coined the term “bad hair day,” or that a CBS engineer named Charley Douglass invented the name and use of “canned laughter” for television, or that “cold turkey” as a term for quitting something immediately was popularized by the novel and movie (starring Frank Sinatra), The Man with the Golden Arm? Here you’ll learn the origins of “credibility gap,” “my lips are sealed,” “the opera’s not over until the fat lady sings,” “supermarket,” “supermodel,” “there’s no accounting for taste,” “thick as thieves,” and hundreds more. For anyone who loves language, this new book will “take the cake.”
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Pre-World War II Hollywood musicals weren't only about Astaire and Rogers, Mickey and Judy, Busby Berkeley, Bing Crosby, or Shirley Temple. The early musical developed through tangents that reflected larger trends in film and American culture at large. Here is a survey of select titles with a variety of influences: outsized songwriter personalities, hubbub over "hillbilly" and cowboy stereotypes, the emergence of swing, and the brief parade of opera stars to celluloid. Featured movies range from the smash hit Alexander's Ragtime Band (1938), to obscurities such as Are You There? (1930) and Swing, Sister, Swing (1938), to the high-grossing but now forgotten Mountain Music (1937), and It's Great to Be Alive (1933), a zesty pre-Code musical/science-fiction/comedy mishmash. Also included are some of the not-so-memorable pictures made by some of the decade's greatest musical stars.
From the turn of the century to the 1960s, the songwriters of Tin Pan Alley were synonymous with American popular music. Irving Berlin, Cole Porter, George and Ira Gershwin, Rodgers and Hart--even today these giants remain household names, their musicals regularly revived, their methods and styles analyzed and imitated, and their songs the bedrock of jazz and cabaret. In this new edition of The Poets of Tin Pan Alley, authors Philip Furia and Laurie Patterson offer a unique perspective on these great songwriters, showing how their poetic lyrics were as important as their brilliant music in shaping a golden age of American popular song.Furia and Patterson continue the tradition of great perce...
This book traces how early Americans imagined what a 'nation' meant during the first fifty years of the country's existence.