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Jews and Theater in an Intercultural Context
A collection of essays by an international cadre of theater scholars, which addresses Jewish theater practitioners, playwrights, critics, financiers and audiences roles in the development of the European and American theater.
In the Party Spirit
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Institution & Innovation
Innovation in art cannot be studied without analyzing the cultural area from which it arises. This book explores the role of art committees, literary, art and film critics, art collectors, museum directors, academic writers and other 'gatekeepers' with regard to different forms of art in the interbellum period as well as after World War II.
Technology
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Art as Spectacle
Why do images of entertainers abound in European literature and art since Romanticism? From Baudelaire to Picasso, from Daumier to Fellini, mimes, clowns, aerialists, and jesters recur in major works by continental artists. In Art as Spectacle, Naomi Ritter investigates this phenomenon and offers explanations that transcend the array of works discussed. Her analysis implies much about the triangle of creator, work, and audience that inevitably controls art. Although a broadly comparative study underlies Art as Spectacle, the book focuses mainly on examples from Germany and France. Three areas of argument-identification, primitivism, and transcendence-account for the performer's ubiquity in t...
By Authors Possessed
By Authors Possessed examines the development of the demonic in key Russian novels from the last two centuries. Defining the demonic novel as one that takes as its theme an evil presence incarnated in the protagonists and attributed to the Judeo-Christian Devil, Adam Weiner investigates the way the content of such a book can compromise the moral integrity of its narration and its sense of authorship. Weiner contends that the theme of demonism increasingly infects the narrative point of view from Gogol's Dead Souls to Dostoevsky's The Devils and Bely's Petersburg, until Nabokov exorcised the demonic novel through his fiction and his criticism. Starting from the premise that artistic creation has always been enshrouded in a haze of moral dilemma and religious doubt, Weiner's study of the demonic novel is an attempt to illuminate the potential ethical perils and aesthetic gains of great art.
The Apocalypse in Germany
Originally published in German in 1988, The Apocalypse in Germany is now available for the first time in English. A fitting subject for the dawn of the new millennium, the apocalypse has intrigued humanity for the last two thousand years, serving as both a fascinating vision of redemption and a profound threat. A cross-disciplinary study, The Apocalypse in Germany analyzes fundamental aspects of the apocalypse as a religious, political, and aesthetic phenomenon. Author Klaus Vondung draws from religious, philosophical, and political texts, as well as works of art and literature. Using classic Jewish and Christian apocalyptic texts as symbolic and historical paradigms, Vondung determines the ...
The Contemporáneos Group
In the years following the Mexican Revolution, a nationalist and masculinist image of Mexico emerged through the novels of the Revolution, the murals of Diego Rivera, and the movies of Golden Age cinema. Challenging this image were the Contemporáneos, a group of writers whose status as outsiders (sophisticated urbanites, gay men, women) gave them not just a different perspective, but a different gaze, a new way of viewing the diverse Mexicos that exist within Mexican society. In this book, Salvador Oropesa offers original readings of the works of five Contemporáneos—Salvador Novo, Xavier Villaurrutia, Agustín Lazo, Guadalupe Marín, and Jorge Cuesta—and their efforts to create a Mexic...
Story Logic
Featuring a major synthesis and critique of interdisciplinary narrative theory, Story Logic marks a watershed moment in the study of narrative. David Herman argues that narrativeøis simultaneously a cognitive style, a discourse genre, and a resource for writing. Because stories are strategies that help humans make sense of their world, narratives not only have a logic but also are a logic in their own right, providing an irreplaceable resource for structuring and comprehending experience. Story Logic brings together and pointedly examines key concepts of narrative in literary criticism, linguistics, and cognitive science, supplementing them with a battery of additional concepts that enable ...
Animal, Vegetal, Marginal
Animal, Vegetal, Marginal explores the oft-forgotten yet provocative German genre of die Groteske, or the literary grotesque. This short prose form challenges the norms of being human and being accepted as such by society in exaggerated and satirical ways. Between the Kaiser's and Hitler's Reichs, the genre's irreverent comedy and criticism sold out cabarets, drew droves of radio listeners, and created bestsellers. Yet, because its authors were ruthlessly censored and persecuted, die Groteske is virtually unknown today and neglected by scholarship. Joela Jacobs examines the development and influence of the genre on some of its leading exponents, including Oskar Panizza, Hanns Heinz Ewers, Salomo Friedlaender, and Franz Kafka. Animal, Vegetal, Marginal is the first full-length study of the genre and shows how its portrayals of marginalized and nonhuman perspectives mounted resistance against the rise of the biopolitical structures underpinning nationalism, racism, and antisemitism.
