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Games and Gaming in Early Modern Drama
This book is a close taxonomic study of the pivotal role of games in early modern drama. The presence of the game motif has often been noticed, but this study, the most comprehensive of its kind, shows how games operate in more complex ways than simple metaphor and can be syntheses of emblem and dramatic device. Drawing on seventeenth-century treatises, including Francis Willughby’s Book of Games, which only became available in print in 2003, and divided into chapters on Dice, Cards, Tables (Backgammon), and Chess, the book brings back into focus the symbolism and divinatory origins of games. The work of more than ten dramatists is analysed, from the Shakespeare and Middleton canon to rare...
The Politics of Philology
"The Politics of Philology will appeal to scholars of Latin American literature interested in questions of nation formation, and to scholars of Mexican history who have increasingly tended to work with cultural models of historical research."--BOOK JACKET.
Iberianism and Crisis
Robert Patrick Newcomb's Iberianism and Crisis examines how prominent peninsular essay writers and public intellectuals who were active around the turn of the twentieth century looked to Iberianism to address a succession of political, economic, and social crises that shook the Spanish and Portuguese states to their foundations.
Edging Toward Iberia
Nonmodern Iberia was a fluid space of shifting political kingdoms and culturally diverse communities. Scholars have long used a series of obsolete investigative frameworks such as the Reconquista, along with modern ideas of nation-states, periodization, and geography that are inadequate to the study of Iberia’s complex heterogeneity. In Edging Toward Iberia Jean Dangler argues that new tools and frameworks for research are needed. She proposes a combination of network theory by Manuel Castells and World-Systems Analysis as devised by Immanuel Wallerstein to show how network and system principles can be employed to conceptualize and analyze nonmodern Iberia in more comprehensive ways. Network principles are applied to the well-known themes of medieval trade and travel, along with the socioeconomic conditions of feudalism, slavery, and poverty to demonstrate how questions of power and temporal-historical change may be addressed through system tenets. Edging Toward Iberia challenges current historical and literary research methods and brings a fresh perspective on the examination of politics, identity, and culture.
Spain, the Second World War, and the Holocaust
Spain, the Second World War, and the Holocaust is the first comprehensive historical and cultural study of Spain's unique relationship to this turbulent historical period.
The Spanish Blue Division on the Eastern Front, 1941–1945
In 1941, the Franco regime established the Spanish Division of Volunteers to take part in the Russian campaign as a unit integrated into the German Wehrmacht. Recruited by both the Fascist Party (Falange) and the Spanish army, around 47,000 Spanish volunteers joined what would become known as the "Blue Division." The Spanish Blue Division on the Eastern Front, 1941–1945 explores an intimate history of the Blue Division "from below," using personal war diaries, letters, and memoirs, as well as official documents from military archives in Spain, Germany, Britain, and Russia. In addition to describing the Spanish experience on the Eastern Front, Xosé M. Núñez Seixas takes on controversial topics including the Blue Division’s proximity to the Holocaust and how members of the Blue Division have been remembered and commemorated. Addressing issues such as the behaviour of the Spaniards as occupiers, their perception by the Russians, their witnessing of the Holocaust, their commitment to the war aims of Nazi Germany, and their narratives on the war after 1945, this book illuminates the experience of Spanish combatants and occupied civilians.
Drawing the Curtain
Miguel de Cervantes’s experimentation with theatricality is frequently tied to the notion of revelation and disclosure of hidden truths. Drawing the Curtain showcases the elements of theatricality that characterize Cervantes’s prose and analyses the ways in which he uses theatricality in his own literary production. Bringing together the works of well-known scholars, who draw from a variety of disciplines and theoretical approaches, this collection demonstrates how Cervantes exploits revelation and disclosure to create dynamic dramatic moments that surprise and engage observers and readers. Hewing closely to Peter Brook’s notion of the bare or empty stage, Esther Fernández and Adrienne L. Martín argue that Cervantes’s omnipresent concern with theatricality manifests not only in his drama but also in the myriad metatheatrical instances dispersed throughout his prose works. In doing so, Drawing the Curtain sheds light on the ways in which Cervantes forces his readers to engage with themes that are central to his life and works, including love, freedom, truth, confinement, and otherness.
Heroic Forms
In Cervantes and the Literature of War, Stephen Rupp connects Cervantes's complex and inventive approach to literary genre and his many representations of early modern warfare.
Chocolate
Chocolate traces representations of chocolate in Spanish literature and historical documents, providing a fascinating and worldly narrative about one of the most beloved foods of all time.
The Image of Celestina
La Celestina, a Spanish literary masterpiece second only in importance to Don Quixote in Spanish literature, has been shaped by the inclusion of images from its very first edition in 1499. The subsequent five centuries were punctuated by many illustrated editions; imaginary portraits of the eponymous procuress Celestina by painters such as Murillo, Goya, and Picasso; and, more recently, screen and stage adaptations. Celestina became the prototype from which later representations of procuresses and bawds derived. The Image of Celestina sheds light on the visual culture that developed around La Celestina, including paintings, illustrations, and advertisements. Enrique Fernández examines La Celestina as a mixed-media text, incorporating methods from disciplines such as art history and women’s and cinema studies, and considers a variety of images including promotional posters, lobby pictures, and playbills of theatrical and cinematic adaptations of the book. Using a visual studies approach, The Image of Celestina ultimately illuminates the culture of Celestina, a mythical figure, who surpasses the literary text in which she originated.
