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Swallowed Light
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This American Ghost
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Swallowed Light
Ocean Vuong meets Natalie Diaz in dreamlike, blood-soaked verse that explores the cost of memory and mourning. Swallowed Light begins at the opened clearing of myth, at the mouth of history. In his breathtaking debut poetry collection, Michael Wasson writes into the gaps left by a legacy of erasure—the wholly American fracture of colonialism—where the indigenous tongue is determined to bloom against its own vanishing. These poems mourn and build with pattern and intricacy, intuition and echo, calling ocean and heartbreak and basalt, monsters and bullets and bones, until they form one vibrant song.
Fosse
Don't dance for the audience. Dance for yourself. The basis for a lavish new drama series from Hamilton creator Lin-Manuel Miranda, Fosse is the definitive book on one of Broadway's and Hollywood's most complex and dynamic icons. The only person ever to win Oscar, Emmy and Tony awards in the same year, Bob Fosse revolutionised almost every facet of American entertainment. A ground-breaking dancer, choreographer, and theatre and film director, his innumerable achievements include Cabaret, All That Jazz and Chicago, one of the longest-running Broadway musicals ever. Yet his offstage life was equally dramatic, marked by deep psychological wounds and insatiable appetites. In this richly detailed and beautifully written biography, Sam Wasson draws on a wealth of unpublished material and over 300 interviews with Fosse's family, friends, enemies, lovers and collaborators, many of them speaking publicly about Fosse for the first time. Fosse is a book bursting with energy and style, pleasure and pain - much like the man himself.
The Big Goodbye
'A multifaceted dissection of the infamous noir film ... good reading for any American cinema buff' KirkusChinatown is the Holy Grail of 1970s cinema. Its ending is the most notorious in American film and its closing line of dialogue the most haunting. Here for the first time is the incredible true story of its making. In Sam Wasson's telling, it becomes the defining story of its most colorful characters. Here is Jack Nicholson at the height of his powers, embarking on his great, doomed love affair with Anjelica Huston. Here is director Roman Polanski, both predator and prey, haunted by the savage murder of his wife, returning to Los Angeles, where the seeds of his own self-destruction are quickly planted. Here is the fevered deal-making of "The Kid" Robert Evans, the most consummate of producers. Here too is Robert Towne's fabled script, widely considered the greatest original screenplay ever written. Wasson for the first time peels off layers of myth to provide the true account of its creation. Looming over the story of this classic movie is the imminent eclipse of the '70s filmmaker-friendly studios as they gave way to the corporate Hollywood we know today.
Inventing Film Studies
Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how mul...
Whereas
'I was blown away by Layli Long Soldier's WHEREAS.' Maggie Nelson, author of The Argonauts WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. A POETRY BOOK SOCIETY SPECIAL COMMENDATION. 'In what is clearly a golden age for American poetry, Layli Long Soldier has to be out in front – one of the best collections of the century.' Andrew McMillan
Useful Cinema
By exploring the use of film in mid-twentieth-century institutions, including libraries, museums, classrooms, and professional organizations, the essays in Useful Cinema show how moving images became an ordinary feature of American life. In venues such as factories and community halls, people encountered industrial, educational, training, advertising, and other types of “useful cinema.” Screening these films transformed unlikely spaces, conveyed ideas, and produced subjects in the service of public and private aims. Such functional motion pictures helped to shape common sense about cinema’s place in contemporary life. Whether measured in terms of the number of films shown, the size of ...
Come Shining
A compendium of stories about the importance of poems in people’s lives, accumulating a remarkable history of Copper Canyon Press. For its fiftieth anniversary, Copper Canyon Press invited a broad community of staffers, board members, and poets to help curate a celebratory anthology that it named A House Called Tomorrow. The response to that invitation, however, exceeded the book. The Press received so many stories about the poems, from people far and wide, that it knew it had to publish a second volume—this one. Come Shining is both an oral (and visual) history of Copper Canyon Press and a lasting testament to the power of poetry within people’s lives. If A House Called Tomorrow is th...
A House Called Tomorrow
Copper Canyon Press celebrates its first 50 years of poetry publishing in anticipation of the next 50 years. Poetry is vital to language and living. This anthology celebrates 50 years of Copper Canyon Press publications, one extraordinary poem at a time. Since its founding, Copper Canyon has been entirely dedicated to publishing poetry books; here Editor in Chief Michael Wiegers invites press staff and board—past and present—to help curate a retrospective. The result is a collection of beloved poems from books spanning half a century: representing Pulitzer Prize-winning books, debut collections, works in translation, and rare books from Copper Canyon’s early days. This book is a tribute to Copper Canyon poets and readers everywhere, because, as Gregory Orr writes, “Certain poems / In an uncertain world— / The ones we cling to: // They bring us back.”
