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At the tail end of the 1960s, the thirteen-year-old Michelín spends his summers at his grandparents' modest estate in Nasca, near Lake Maggiore, losing himself in the tales of horror, adventure, and mystery shelved in his grandfather's library. The greatest mystery he's ever encountered, however, doesn't come from a book--it's the groundskeeper, Felice, a sometimes frightening, sometimes gentle, always colorful man of uncertain age who speaks a bizarre dialect and whose memory gets worse with each passing day. When Michelín volunteers to help the old man by providing him with clever mnemonic devices to keep his memory alive, the boy soon finds himself obsessed with piecing together the eer...
This collection of essays explores the reception of classics and translation from modern languages as two different, yet synergic, ways of engaging with literary canons and established traditions in 20th-century Italy. These two areas complement each other and equally contribute to shape several kinds of identities: authorial, literary, national and cultural. Foregrounding the transnational aspects of key concepts such as poetics, literary voice, canon and tradition, the book is intended for scholars and students of Italian literature and culture, classical reception and translation studies. With its two shifting focuses, on forms of classical tradition and forms of literary translation, the volume brings to the fore new configurations of 20th-century literature, culture and thought.
A fast-paced narrative about the world-famous libertine Giacomo Casanova, from celebrated biographer Leo Damrosch"Fully succeeds in communicating that 'vivid presentness, ' that 'joyful eagerness' for life, which is what keeps us reading Casanova--and reading about him."--Gregory Dowling, Wall Street Journal "A nuanced, deftly contextualized biography of an adventurer, an opportunist, and a man of voracious appetites . . . another top-notch work from Damrosch."--Kirkus Reviews (starred review) The life of the iconic libertine Giacomo Casanova (1725-1798) has never been told in the depth it deserves. An alluring representative of the Enlightenment's shadowy underside, Casanova was an aspiring...
Italy's great chronicler of the macabre and hilariousterrors of growing up geeky arrives in English at last. Longbefore the latest vogue for autofiction, Michele Mari, one of Italy's mostbeloved authors, cast his mind back to the days of his own childhood, and foundit crawling with monsters. Raisedon comic books and science fiction, the young Mari constructed an alternateuniverse for himself untouched by uncomprehending grownups or sadistic peers.Compared to the horrors of real life, Long John Silver and Cthulhu made forpositively cuddly company; but little boys raised by beasts may well grow upbeastly--or never grow up at all. Waking or sleeping, the obsessions of Mari'syouth seem to color his every adult thought. You, Bleeding Childhood standsas his first attempt to catalog this cabinet of wonders. Cultclassics since their first publication, these loosely connected stories standas the ideal introduction to an encyclopedic fantasist on a par with Kafka,Poe, and Borges.
“Eravamo anti-sistema in tutto e per tutto, nella musica e nell’arte. Volevamo distruggere qualsiasi cosa avesse regole prestabilite, tutto quel che c’era di asfissiante, tutte le certezze. Eravamo decisi a infrangere tutte le regole in tutti i modi possibili”. La Londra di Barry Miles è quella della cultura underground che nasce fra le macerie della Seconda guerra mondiale ed esplode nel corso degli anni Sessanta e Settanta, concentrandosi sul West End e su Soho, le zone in cui era confluita un’eterogenea popolazione di personaggi creativi e fuori dalle righe, intolleranti nei confronti delle costrizioni della cultura e del costume ufficiale: scrittori, poeti, registi, musicisti,...
The medieval palaces of Venice are unlike those from anywhere else and they also survive in this equally unique city in far greater numbers. This well-presented study argues, however, that contrary to other opinions, the architecture of Venice was developed from that of northern and western Europe and not from that of Byzantium and Late Antiquity.
A Book of European Writers A-Z By Country Published on June 12, 2014 in USA.
They say that laughter is a purely human phenomenon, so exclusively ours that we brook no intruders except, of course, for the laughing hyena, the laughing jackass (officially known as the kookaburra bird of Australia), laughing matters, laughing gas, or the perennial laughing stock. But what is humor, that funny thing so varied in its colors and tones, so encompassing in its themes, so different from time to time and place to place? And when we poke fun, at whom are we really laughing? At Whom Are We Laughing? Humor in Romance Language Literatures is the selective product of a multi-national gathering of scholars sponsored by Hofstra University in Hempstead, New York, to explore humor acros...
From the minds of creators Brian Frechi and Ilaria Urbinati comes The Vertical Sea, a tale of a woman learning to push through her struggles in a world where the pressure seems endless. With a good job as an elementary school teacher and a love for her partner, India’s life seems okay at face value. However, with a chronic mental illness that causes her to have panic attacks regularly, each day can be a struggle. With the threat of having her class taken from her, the pressure is building, and India needs to face her problems head on and take action. This wonderful story of perseverance is beautifully and meticulously illustrated by Ilaria Urbinati, and wonderfully written by Brian Freschi, allowing India to be connectable to all audiences.