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A comprehensive traveler’s guide to important Jewish historical and cultural sites in Germany. No country in the world, outside of Israel itself, contains more Jewish historical sites of importance than Germany does today. The largest Jewish cemetery in Europe, the Weissensee, is in Berlin, while the deepest, and perhaps most beautiful, mikveh (ritual bath) in Germany dates from the thirteenth century and can be found in Friedberg. Ranging from large synagogues to former prayer rooms to cemeteries, the sites listed serve as testaments to the life and culture of German Jewish communities for more than one thousand years. They have withstood the ravages of time as well as the barbaric effort...
The author has collected the most amazing stories of people who secretly saved Jewish lives from 1933 to 1945 and arranged them chronologically and geographically to show us that there will always be a few righteous souls who have made a greater difference in favour of human goodness.
In 1985, winemaker Joe Benziger and Sonoma artist Bob Nugent struck on the idea of putting original art on special releases of Imagery Estate wines. The goal was straight-forward: commission the world's modern art luminaries to create works for reproduction onto wine labels. Two decades and 160 labels later, they have assembled a staggering collection of contemporary art, from the likes of Sol Lewitt, Terry Winters, Nancy Graves, John Baldessari, Judy Pfaff, and Bob Arneson. This book highlights 133 works of art, the best of the Imagery collection. The images are big and lush, and accompanied by biographical sketches of the artists' careers, as well as a short description of their individual ideas and methods. The pictorial index shows the works in their label-form, from 1985 to the most recent vintages. These images are evocations of wine's multi-faceted ability to inspire us.
This book presents the life stories of three women of the German-speaking realm whose lives inspired the author directly: mathematician Maria Weber Steinberg (1919-2013); journalist Irmgard Rexroth-Kern (1907-1983); and Viennese art historian Fr. Dr. Anna von Spitzmüller (1903-2001). The lives of these three women serve as emotional mirrors to the cultural transformations and tumultuous history of the 20th century. Their stories tell of the hardships, struggles, and victories of intellectual European women in this era. Each woman was related to men who played a prominent role in European cultural life, men who received some recognition in history books. As intellectual professionals, these ...
This volume is based on possibly the biggest single Europe-wide project in urban history. In 1955 the International Commission for the History of Towns established the European historic towns atlas project in accordance with a common scheme in order to encourage comparative urban studies. Although advances in urban archaeology since the 1960s have highlighted the problematic relationship between the oldest extant town plan and the actual origins of a town, the large-scale cadastral maps as they have been made available by the European historic towns atlas project are still necessary if we want to understand the evolution of the physical form of our towns. By 2014 the project consisted of ove...
(From the introduction) The material for Vinton County and Its Families was compiled over a period of many years. The information included is principally from 1850, the date of the establishment of the county, to the near present time (1996).
India's energy use dinamics. Review of sampling designs and methodologies for assessing consumption. Results of fuelwood studies: review and analysis.Trends. Identification of fuelwood hot spots. Policy responses to fuelwood issues. An approach to make fuelwood statistics reliable.
Vols. for 1904-1926 include also decisions of the United States Board of General Appraisers
Ann Copeland has lived a mountain of yesterdays as a teacher, fiction writer, vowed religious, wife, and mother. Throughout her rich and varied life, there has been one constant: Copeland’s dedication to amateur music-making in its many forms — composing, playing, arranging, partnering, studying, and improvising — and in its many possible settings—alone or with others; in chapels, living rooms, and schools; in locations foreign and domestic, intimate and exposed; in mental states anxious, playful, and grieving. This collection of spirited and engaging essays tells the story of a lifelong student and devotee of music who, looking back, sees that “years of making music offered release, challenge, solace, collaboration, glimpses of possibility, a perishable entrance into felt mystery, and the chance to create a gift with and for others.” With this book, Copeland is sharing that gift through the story of her life making music.