You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Casts new light on of the 'official' French nineteenth-century narrative by examining how historians and philosophers conceived of the country's past.
The "July Revolution" of 1830 in France overthrew the King, brought down the Bourbon dynasty, and ended the fifteen-year era known as the Restoration. lt established the "July Monarchy" of Louis-Philippe, citizen King of the Hause of Orleans, a regime also destined for extinction eighteen years later. Although the 1848 revolt is of somewhat greater domestic political importance and considerably greater in its European scope and its social implications, the July Revolution of 1830 should not be relegated to the lower Ievels of historical consciousness. Yet, in modern times, even in France, relatively few works have been published concerning either the Restoration or the revolution which termi...
On the shortest night of the year, blue eyes pierce the snowstorm. The elusive gryphons of the frozen taiga are beautiful, mysterious, and nearly extinct. As the days grow short and danger lurks around every corner, their eyes turn a bright blue. This short story collection set in the world of Eyrie follows several famous taiga gryphons during their most trying times. Blue Eyes and Other Tales is a short story collection set after the novel Starling and is perfect for fans of the Gryphon Insurrection series.
The French Revolution had a profound influence on perceptions of the past as well as setting the agenda for modern political culture. This book examines the ways in which the past was rediscovered, retrieved and represented in post-revolutionary France, concentrating upon the Restoration and the July Monarchy, the period which witnessed the promotion of history as a grand discourse of legitimation.
Writing Time shows how serial literature based in journals and anthologies shaped the awareness of time at a transformative moment in the European literary and political landscapes. Sean Franzel explores how German-speaking authors and editors "write time" both by writing about time and by mapping time itself through specific literary formats. Through case studies of such writers as F. J. Bertuch, K. A. Böttinger, J. W. Goethe, Ludwig Börne, and Heinrich Heine, Franzel analyzes how serial writing predicated on open-ended continuation becomes a privileged mode of social commentary and literary entertainment and provides readers with an ongoing "history" of the present, or Zeitgeschichte. Drawing from media theory and periodical studies as well as from Reinhart Koselleck's work on processes of temporalization and "untimely" models of historical time, Writing Time presents "smaller" literary forms—the urban tableau, cultural reportage, and caricature—as new ways of imagining temporal unfolding, recentering periodicals and other serial forms at the heart of nineteenth-century print culture.