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The best-ever selling novel from the former goslavia, this is a hilarious, anarchic, irreverent black comedy about national aspirations and wanting things you can't have, re-published in the year that Scotland votes on independence. Egon is an amoral but charismatic writer, living on the breadline in a grim, unnamed communist factory town in Slovenia prior to the break-up of the former goslavia. With little evidence of his real literary ambitions, he makes ends meet by writing trashy romances under a pseudonym. When not searching out sex with as many women as possible, or slagging off the literary establishment, Egon is full of schemes to feed his pathological need for the ruinously expensiv...
Tragedy nearly befalls a dismal Yugoslavian foundry town when Egon, romance writer extraordinaire and tireless bon vivant, discovers he'ss used up his Cartier perfume. A man will do anything for his perfume, even if it means cheating a young Gypsy girl of her Playboy, blackmailing a lascivious preacher, publishing an atrocious poet, and conspiring with a band of uncouth cowboys.
With a per capita publishing rate of more that three times that of the United States, Slovenia has a long and storied literary history, from the legendary 9th-century Freising Manuscripts to postmodern masterpieces by Igor Bratoz. Continuing that tradition, Angels Beneath the Surface, the first collection of Slovene fiction to be published in English outside of Slovenia since 1994, offers a rich sampling of Slovene short stories. The thirteen tales here represent a wide array of voices and writing styles among the country's renowned–and emergent–writers. Written between 1990 and 2005, the selections in Angels Beneath the Surface together comprise a vivid snapshot of Slovene literary consciousness at the turn of the millennium. These authors mine their culture for often startling insights in stories that range from wicked variations on fairy tales to dour romances to skewerings of the bureaucratic state. Recent articles in The New Yorker, The New York Times Book Review, and other prominent publications attest to renewed interest in European literature in translation, and this collection is an incisive entry in the genre.
Abandoned at birth because he has the face of a “prize boar,” the unnamed narrator of Guarding Hanna knows only a local Berlin gang as family. Patriarch Maestro acts as surrogate father, employing him to collect debts and perform thuggish tasks. Except for brief moments interacting with the gang, “the beast” spends his life alone, wandering Berlin’s streets and sleeping in its vast housing projects. This changes in a flash when one of Maestro’s sons is implicated in a crime. The only hope of saving him is to protect the sole witness, beautiful but eccentric Hanna Wyoczik. Maestro calls on “the beast” to move in with her until the trial. But never having spent more than five m...
Available in English for the first time by best selling Slovenian Author Miha Mazzini comes and unforgettable tale of terror, comradeship and survival. On an isolated island "The Name Collector" waits to fulfill his destiny to bring death and destruction upon the world. Standing in his way-Aco and his band of brothers- a geriatric fighting force that have been training and waiting for this day since childhood. As the Name Collector asks each his name he takes it. But what's in a name and can anyone survive without a name-even for one horrific night? "The Name Collector is a monster like no other"
The Istrian Peninsula, which is made up of modern-day Croatia, Slovenia, and Italy suffered from the so-called "Istrian exodus" after the Second World War. This book looks at this difficult, silenced past and shifts the usual focus from migrants to those who stayed behind and to the new immigrants who came to the “emptied” towns.The research, based on individual memories, deals with silences and competing national discourses, reasons to stay and leave, hybrid border ethnic identities, and the renewal of Istrian society and its new social relations. It is a self-critical reflection on an ignored chapter of national history, which, with an empathetic approach, allows the silence to speak.
Bringing together a diverse team of leading scholars and professionals, this book offers a variety of insights into ongoing gender mainstreaming policies in Europe with a focus on urban/spatial planning. Gender mainstreaming was first legislated for in the European Union with the Treaty of Amsterdam in 1999 and, although many interesting developments have occurred throughout the decade that followed, there is still much to do in terms of policy, knowledge production, dissemination and education. This work contributes to all three objectives, by advancing the state of knowledge, as well as providing educational and professional tools in the field of gender sensitive planning in Europe. The vo...
An avant garde set of improvisational essays, Richard Grossinger’s The Bardo of Waking Life is a meditation on the Tibetan Buddhist bardo realm which, in popular culture, is viewed as the bridge between lives, the state people enter after death and before rebirth. This book examines waking life and its history and language as if it were a bardo state rather than ultimate reality, and thus seeks a context for life (and dreams), even as it addresses more "mundane issues" including genetic theory, the war in Iraq and George W. Bush's presidency, North Korea, advertising, global warming, Prison Industrial Culture, childhood trauma, even country western music. Written with playfulness and precision, Bardo takes a new, probing approach to all the important questions of creation, destruction, and existence. In these intellectual field notes, Grossinger proves thematically fearless as he crosses quantum mechanics with totemic hexes and draws transcendental insight from the ephemeral space-time we call daily life. If, as Tibetan cosmology holds true, all conditional realms are bardos, then the state we all share is nothing less than the bardo of waking life.
Food Democracy brings together contributions from leading international scholars and activists, critical case studies of emancipatory food practices and reflections on possible models for responsive communication, design and art. The book includes recipes and essays that ask how to counter the role of the food industry as a machine of consumption.