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With a per capita publishing rate of more that three times that of the United States, Slovenia has a long and storied literary history, from the legendary 9th-century Freising Manuscripts to postmodern masterpieces by Igor Bratoz. Continuing that tradition, Angels Beneath the Surface, the first collection of Slovene fiction to be published in English outside of Slovenia since 1994, offers a rich sampling of Slovene short stories. The thirteen tales here represent a wide array of voices and writing styles among the country's renowned–and emergent–writers. Written between 1990 and 2005, the selections in Angels Beneath the Surface together comprise a vivid snapshot of Slovene literary consciousness at the turn of the millennium. These authors mine their culture for often startling insights in stories that range from wicked variations on fairy tales to dour romances to skewerings of the bureaucratic state. Recent articles in The New Yorker, The New York Times Book Review, and other prominent publications attest to renewed interest in European literature in translation, and this collection is an incisive entry in the genre.
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Historically, English-language readers have been great fans of European literature, and names like Franz Kafka, Gustave Flaubert, and Thomas Mann are so familiar we hardly think of them as foreign at all. What those writers brought to English-language literature was a wide variety of new ideas, styles, and ways of seeing the world. Yet times have changed, and how much do we even know about the richly diverse literature being written in Europe today? Best European Fiction 2010 is the inaugural installment of what will become an annual anthology of stories from across Europe. Edited by acclaimed Bosnian novelist and MacArthur “Genius-Award” winner Aleksandar Hemon, and with dozens of edito...
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The main character and narrator of Blind Man is a successful book editor and critic with severely impaired vison, although he has never had much to do with the visually impaired community and doesn't really feel like he is one of them. But when he is offered a chance to enter the world of politics, he is "blinded" by the lure of power, and this easy-going, level-headed husband and soon-to-be father gradually turns into a self-absorbed careerist. Author Mitja Čander, without pontificating and with a measured dose of humour, paints a critical, unsparing portrait of a small European country and through it a convincing satire on the psychological state of contemporary European society. What, or who, do we still believe in today, and who should we trust? Politicians, apparatchiks, the media? Speeches laden with buzzwords and grandiose promises break down the flimsy façade, as the protagonist's own insecurity suggests that things are not always what they seem. In the end, social blindness is worse than any physical impairment, and worst of all is to be blinded by your own ego.
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