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The Philosophy of Mountaineering. This book is the result of the contributions by some of the greatest authors of moutaineering literature: Pat Ament, Phil Bartlett, Arlene Blum, Margaret Body, Sir Chris Bonington, Hamish M. Brown, Joe Brown, Greg Child, Jim Curran, Giusto Gervasutti, Andrew Greig, Terry Gifford, Heinrich Harrer, Dougal Haston, Maurice Herzog, Sir John Hunt, Jeff Long, Jeff Lowe, Hamish MacInnes, Jeffrey McCarthy, Ian Mitchell, Paul Prichard, David Roberts, Doug Robinson, Steve Roper, Galen Rowell, Woodrow Wilson Sayer, Doug Scott, Eric Shipton, G. B. Spenceley, Sir Leslie Stephen, Mikel Vause, Edward Whymper, Simon Yates, Geoffrey Winthrop Young.
Stretching for 170 miles across northern Arizona and southern Utah, Lake Powell is both a vacationer's paradise and the second-largest reservoir in the Western Hemisphere. Yet few visitors to the lake today are aware of the lost world that lies beneath its crystal waters. Once an enchanted landscape of sandstone cliffs and secret crevices, Glen Canyon has been but a memory since the damming of the Colorado River near Page, Arizona, in 1963. Often called "the place no one knew," Glen Canyon was in fact explored by thousands of visitors—including dozens of writers—before the dam's completion. River runner Mathew Gross has combed the literature of Glen Canyon to assemble this wide-ranging l...
It can be said that all of human history is environmental history, for all human action happens in an environment—in a place. This collection of essays explores the environmental history of the Pacific Northwest of North America, addressing questions of how humans have adapted to the northwestern landscape and modified it over time, and how the changing landscape in turn affected human society, economy, laws, and values. Northwest Lands and Peoples includes essays by historians, anthropologists, ecologists, a botanist, geographers, biologists, law professors, and a journalist. It addresses a wide variety of topics indicative of current scholarship in the rapidly growing field of environmental history.
Sixteen of their stories - sometimes published under the name of a male relative, sometimes under anonymous bylines such as "a Lady" - are here recovered and collected for the first time.
History meets high-altitude adventure This engaging analysis of twentieth-century imperialism takes early mountaineering beyond the realm of recreation. Vertical Margins sets Halford Mackinder's 1899 climb of Mt. Kenya, Annie Smith Peck's 1908 ascent of Huascaran in Bolivia, and John Baptiste Noel's filming of the 1924 British attempt on Mt. Everest in the larger historical context of American and British foreign policy and neo-imperialism. Reuben Ellis shows that mountain exploration reached far beyond the motivations of adrenaline-driven adventurers to an aggressive ideology of power and expansion that fed the "New Imperialism"--the end of the era of European empire-building and the beginnings of American dominance in world affairs. With so many mountains at the margins of European and American territorial and economic domains, mountaineering often overlapped with the motivations of empire; the earth's mountains came to be regarded as frontiers open to the full range of political, economic, and personal concerns that drove geographical exploration.
Few things suggest rugged individualism as powerfully as the solitary mountaineer testing his or her mettle in the rough country. Yet the long history of wilderness sport complicates this image. In this surprising story of the premier rock-climbing venue in the United States, Pilgrims of the Vertical offers insight into the nature of wilderness adventure. From the founding era of mountain climbing in Victorian Europe to present-day climbing gyms, Pilgrims of the Vertical shows how ever-changing alignments of nature, technology, gender, sport, and consumer culture have shaped climbers’ relations to nature and to each other. Even in Yosemite Valley, a premier site for sporting and environmen...
Sarah Gorham recounts her childhood education as a rebellious, insecure, angry girl shipped overseas to a tiny international school perched on a mountain shelf in Bernese-Oberland, Switzerland. There, boot camp style, she experienced deprivation, acute embarrassment, and keen educational guidance, all in the name of growing up. The Swiss landscape influenced her with its paradoxes: unforgiving slopes and peaks; government-controlled hills and valleys--so, too, the languages she's obliged to learn: one ruffian, the other militaristic. Though her stay lasted a mere two years, her time there was so crucial in her transition to adulthood that she returns to those years decades later, each and every night in memory and dream. There are brief forays into the science of surviving an avalanche; Sherlock Holmes's faked demise at the Reichenbach Falls; the origins of meringue; and the history of homesickness and its spiritual twin, Sehnsucht. In her travels Gorham tracks an adolescent experience both agonizingly familiar and curiously exotic.
"Having undergone profound material, aesthetic, and institutional transformations since the arrival of digital technologies, photography and film frequently intersect in the processes of convergence (the shared technological basis of diverse media in digital code) and remediation (the mutual reshaping of old and new media). However, the foundational relations between film and photography have a long history extending well back into the nineteenth century. This history includes many acclaimed practitioners who have worked in both media, such as Albert Kahn, Helen Levitt, Agnès Varda, Chris Marker, Robert Frank, Wim Wenders, Abbas Kiarostami, and Fiona Tan, but it also involves a range of intermedial forms that combine elements of both media, such as the film still, the film photonovel, and the photofilm. These hybrid forms were long neglected critically because they were considered marginal forms of paratextuality or deviations from medium specificity-the idea that a medium must be deployed according to its own specific capacities compared to other media"--
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In the 1940s, before March Madness, the frenzy of the NBA draft, and multimilliondollar professional contracts, college basketball players played simply because they loved the game. This is the story of a group of kids who loved to play basketball: the underdog 1943-44 University of Utah men's basketball team and their unlikely path to the NCAA championship, who came out of nowhere to upset heavily favored Dartmouth for the title. Josh Ferrin and Tres Ferrin, grandson and son of Arnie Ferrin, both grew up hearing stories of Arnie's illustrious basketball career at the University of Utah. Josh established himself as an award-winning illustrator and author before deciding to research and write the story of Arnie's championship season. He resides in Bountiful, Utah, with his wife and two sons. Tres is a physical therapist who has practiced in the area of sports medicine for thirty-five years, an adjunct faculty member at Weber State University, and an avid cyclist. He and his wife, Sherry, live in Ogden, Utah. The original and unlikeliest of Cinderella stories