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Many films and novels defy our ability to make sense of the plot. While puzzling storytelling, strange incongruities, inviting enigmas and persistent ambiguities have been central to the effects of many literary and cinematic traditions, a great deal of contemporary films and television series bring such qualities to the mainstream—but wherein lies the attractiveness of perplexing works of fiction? This collected volume offers the first comprehensive, multidisciplinary, and trans-medial approach to the question of cognitive challenge in narrative art, bringing together psychological, philosophical, formal-historical, and empirical perspectives from leading scholars across these fields.
From the author of crazy, beautiful, love stories, Jolie Moore, comes a story about the true meaning of home. Confident and quirky cartoonist, Zoe Andreis must put her life on hold and fly back to the States to care for her ailing father. Spending her post-college years traveling and gallivanting all over Europe while rehashing her adventures in comic form, Zoe grapples with the notion of being shackled to one city and haunted by her past. When she encounters, Max Kiss, Zoe's true adventures begin. Although Max would love to branch out and take carefree and crazy chances of his own, he too is tied to L.A., tending to his aging and deteriorating father. Stirred and enamored by Zoe's zest for life, Max longs for a future full of love and spontaneity. While they struggle to find balance caring for their parents and living a life of their own, Zoe and Max form a strong and sensual bond. But when the tough challenges surface, Zoe and Max search for a way to have the lives they want without feeling the burdens of guilt.
The nights are hotter in Los Angeles From Jolie Moore, the author of crazy, beautiful love stories come hot and sexy romances that will take you on an emotional roller coaster ride which are sure to make your toes curl and give you all the feels. This box set features: MAYBE NOW (Book 4) Globetrotting cartoonist Zoe Andreis comes to Los Angeles to help her father recover from a serious medical scare. When she meets bus driver Max Kiss she is forced to rethink the meaning of home. MAYBE YOU (Book 5) The virgin movie star, the contractor who can’t resist her, and the explosive secrets that could destroy their relationship before it gets started.
This book analyzes a cycle of early twenty-first-century mind-game films and TV series in which male protagonists retreat into fantasies, dreams, or hallucinations as a means of coping with grief and guilt following the death of a loved one. Discussing films like Memento, Inception, and Shutter Island alongside the TV series Mr. Robot, among others, Rosalind Sibielski highlights how the construction of alternate realities allows the protagonists to work through bereavement and past trauma. Sibielski also argues that, as part of this process, the protagonists not only find themselves questioning their memories and what they believe to be true about their identities, but they are also forced to reevaluate who they are as men and the way that they define their manhood. Finally, Grief, Madness, and Crises of Masculinity in Mind-Game Films examines these stories of intersecting crises of reality and crises of masculinity within the context of millennial culture wars in the US over the way that manhood is, can be, or should be enacted.
This book deals with the influence of solar activity and its terrestrial effects in connection with the light trapping of insects. It examines issues such as the interplanetary magnetic field, ionospheric disturbances, tropopause, geomagnetic field, ground-level disturbances, tropospheric ozone content, and twilights phenomena, among others. Bringing together data from a huge amount of moths from Hungary, Australia, and the USA, it demonstrates that the role of the Sun has a multifaceted effect on the flight activity of moths, an unprecedented finding in the literature. The book will appeal to special libraries, research institutes, university departments, entomological societies, and entomologists.
(Dis)Orientation appears to be a phenomenon that is connected to media in numerous respects: today, finding your way in the world often means finding your way with the help of as well as within media, which in turn creates new virtual realms of (dis)orientation. This book deals with recent media technologies and structures (navigation devices, databases, transmediality) and unconventional narrative patterns (narrative complexity, plot twists, non-linearity), using the ambivalent concept of (dis)orientation as a shared focus to analyse various phenomena of contemporary media, thereby raising overarching questions about current mediascapes.
Art Cinema and Neoliberalism surveys cinematic responses to neoliberalism across four continents. One of the first in-depth studies of its kind, this book provides an imaginative reassessment of art cinema in the new millennium by showing how the exigencies of contemporary capitalism are exerting pressure on art cinema conventions. Through a careful examination of neoliberal thought and practice, the book explores the wide-ranging effects of neoliberalism on various sectors of society and on the evolution of film language. Alex Lykidis evaluates the relevance of art cinema style to explanations of the neoliberal order and uses a case study approach to analyze the films of acclaimed directors such as Asghar Farhadi, Yorgos Lanthimos, and Lucrecia Martel in relation to the social, political, and cultural characteristics of neoliberalism. By connecting the aesthetics of art cinema to current social antagonisms, Lykidis positions class as a central concern in our understanding of the polarized dynamics of late capitalism and the escalating provocations of today’s film auteurs.
Perturbatory narration is a heuristic concept, applicable both quantitatively and qualitatively to a specific type of complex narratives for which narratology has not yet found an appropriate classification. This new term refers to complex narrative strategies that produce intentionally disturbing effects such as surprise, confusion, doubt or disappointment ‒ effects that interrupt or suspend immersion in the aesthetic reception process. The initial task, however, is to indicate what narrative conventions are, in fact, questioned, transgressed, or given new life by perturbatory narration. The key to our modeling lies in its combination of individual procedures of narrative strategies hitherto regarded as unrelated. Their interplay has not yet attracted scholarly attention. The essays in this volume present a wide range of contemporary films from Canada, the USA, Mexico, Argentina, Spain, France and Germany. The perturbatory narration concept enables to typify and systematize moments of disruption in fictional texts, combining narrative processes of deception, paradox and/or empuzzlement and to analyse these perturbing narrative strategies in very different filmic texts.