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Myths and Folk-tales of the Russians, Western Slavs, and Magyars
  • Language: en
  • Pages: 366

Myths and Folk-tales of the Russians, Western Slavs, and Magyars

Reproduction of the original: Myths and Folk-tales of the Russians, Western Slavs, and Magyars by Jeremiah Curtin

Directory of Officials of the Hungarian People's Republic
  • Language: en
  • Pages: 164

Directory of Officials of the Hungarian People's Republic

  • Type: Book
  • -
  • Published: 1984
  • -
  • Publisher: Unknown

None

Myths and Folk-tales of the Russians, Western Slavs, and the Magyars
  • Language: en
  • Pages: 596

Myths and Folk-tales of the Russians, Western Slavs, and the Magyars

  • Type: Book
  • -
  • Published: 1890
  • -
  • Publisher: Unknown

None

Grief, Madness, and Crises of Masculinity in Mind-Game Films
  • Language: en
  • Pages: 201

Grief, Madness, and Crises of Masculinity in Mind-Game Films

This book analyzes a cycle of early twenty-first-century mind-game films and TV series in which male protagonists retreat into fantasies, dreams, or hallucinations as a means of coping with grief and guilt following the death of a loved one. Discussing films like Memento, Inception, and Shutter Island alongside the TV series Mr. Robot, among others, Rosalind Sibielski highlights how the construction of alternate realities allows the protagonists to work through bereavement and past trauma. Sibielski also argues that, as part of this process, the protagonists not only find themselves questioning their memories and what they believe to be true about their identities, but they are also forced to reevaluate who they are as men and the way that they define their manhood. Finally, Grief, Madness, and Crises of Masculinity in Mind-Game Films examines these stories of intersecting crises of reality and crises of masculinity within the context of millennial culture wars in the US over the way that manhood is, can be, or should be enacted.

Art Cinema and Neoliberalism
  • Language: en
  • Pages: 272

Art Cinema and Neoliberalism

Art Cinema and Neoliberalism surveys cinematic responses to neoliberalism across four continents. One of the first in-depth studies of its kind, this book provides an imaginative reassessment of art cinema in the new millennium by showing how the exigencies of contemporary capitalism are exerting pressure on art cinema conventions. Through a careful examination of neoliberal thought and practice, the book explores the wide-ranging effects of neoliberalism on various sectors of society and on the evolution of film language. Alex Lykidis evaluates the relevance of art cinema style to explanations of the neoliberal order and uses a case study approach to analyze the films of acclaimed directors such as Asghar Farhadi, Yorgos Lanthimos, and Lucrecia Martel in relation to the social, political, and cultural characteristics of neoliberalism. By connecting the aesthetics of art cinema to current social antagonisms, Lykidis positions class as a central concern in our understanding of the polarized dynamics of late capitalism and the escalating provocations of today’s film auteurs.

(Dis)Orienting Media and Narrative Mazes
  • Language: en
  • Pages: 321

(Dis)Orienting Media and Narrative Mazes

(Dis)Orientation appears to be a phenomenon that is connected to media in numerous respects: today, finding your way in the world often means finding your way with the help of as well as within media, which in turn creates new virtual realms of (dis)orientation. This book deals with recent media technologies and structures (navigation devices, databases, transmediality) and unconventional narrative patterns (narrative complexity, plot twists, non-linearity), using the ambivalent concept of (dis)orientation as a shared focus to analyse various phenomena of contemporary media, thereby raising overarching questions about current mediascapes.

Journey to Vaja
  • Language: en
  • Pages: 305

Journey to Vaja

'A family history that is meticulously researched, rich in personal detail and an unusual resource for those seeking to build a bridge over the holocaust between the world of Pre-War European Jewry and contemporary Jewish life.' - Helen Epstein, Author

Film Genres in Hungarian and Romanian Cinema
  • Language: en
  • Pages: 353

Film Genres in Hungarian and Romanian Cinema

Film Genres in Hungarian and Romanian Cinema: History, Theory, and Reception discusses how the Hungarian and Romanian film industries show signs of becoming a regional hub within the Eastern European canon, a process occasionally facilitated by the cultural overlap through the historical province of Transylvania. Andrea Virginás employs a film historical overview to merge the study of small national cinemas with film genre theory and cultural theory and posits that Hollywood-originated classical film genres have been important fields of reference for the development of these Eastern European cinemas. Furthermore, Virginás argues that Hungarian and Romanian genre films demonstrate a valid evolution within the given genre’s standards, and thus need to be incorporated into the global discourse on this subject. Scholars of film studies, Eastern European studies, cultural studies, and history will find this book particularly useful.

Perturbatory Narration in Film
  • Language: en
  • Pages: 272

Perturbatory Narration in Film

Perturbatory narration is a heuristic concept, applicable both quantitatively and qualitatively to a specific type of complex narratives for which narratology has not yet found an appropriate classification. This new term refers to complex narrative strategies that produce intentionally disturbing effects such as surprise, confusion, doubt or disappointment ‒ effects that interrupt or suspend immersion in the aesthetic reception process. The initial task, however, is to indicate what narrative conventions are, in fact, questioned, transgressed, or given new life by perturbatory narration. The key to our modeling lies in its combination of individual procedures of narrative strategies hitherto regarded as unrelated. Their interplay has not yet attracted scholarly attention. The essays in this volume present a wide range of contemporary films from Canada, the USA, Mexico, Argentina, Spain, France and Germany. The perturbatory narration concept enables to typify and systematize moments of disruption in fictional texts, combining narrative processes of deception, paradox and/or empuzzlement and to analyse these perturbing narrative strategies in very different filmic texts.

The Light Trapping of Insects Influenced by the Sun and Moon in Europe, Australia and the USA
  • Language: en
  • Pages: 209

The Light Trapping of Insects Influenced by the Sun and Moon in Europe, Australia and the USA

This book deals with the influence of solar activity and its terrestrial effects in connection with the light trapping of insects. It examines issues such as the interplanetary magnetic field, ionospheric disturbances, tropopause, geomagnetic field, ground-level disturbances, tropospheric ozone content, and twilights phenomena, among others. Bringing together data from a huge amount of moths from Hungary, Australia, and the USA, it demonstrates that the role of the Sun has a multifaceted effect on the flight activity of moths, an unprecedented finding in the literature. The book will appeal to special libraries, research institutes, university departments, entomological societies, and entomologists.